One of the few silver linings of the COVID-19 pandemic is the way it inspired theatre artists to explore form and reimagine what makes a play. SNOW WHITE
AND ROSE RED is a compelling argument for such experimentation to continue beyond the era of Zoom theatre.
Emily McClain reshapes the lesser-known, original Snow White fairy tale of two sisters and a bear-prince into a scathing critique of modern dating. Through FaceTime and text threads, we see the distressing juxtaposition of how one man treats a woman he’s decided is “good”, and another who he’s decided is “bad.”
One of the few silver linings of the COVID-19 pandemic is the way it inspired theatre artists to explore form and reimagine what makes a play. SNOW WHITE
AND ROSE RED is a compelling argument for such experimentation to continue beyond the era of Zoom theatre.
Emily McClain reshapes the lesser-known, original Snow White fairy tale of two sisters and a bear-prince into a scathing critique of modern dating. Through FaceTime and text threads, we see the distressing juxtaposition of how one man treats a woman he’s decided is “good”, and another who he’s decided is “bad.”