Abandon All Hope

Full-length. Basically No Exit if Jean-Paul Sartre was raised Baptist. When three college freshmen (a scrappy feminist, a naïve evangelical, and a cocky analyst) meet in Hell—which appears as a dorm room—a fun-loving demon forces them to play a game with eternal stakes: The winner goes to Heaven. The others are tortured for eternity.

Full-length. Basically No Exit if Jean-Paul Sartre was raised Baptist. When three college freshmen (a scrappy feminist, a naïve evangelical, and a cocky analyst) meet in Hell—which appears as a dorm room—a fun-loving demon forces them to play a game with eternal stakes: The winner goes to Heaven. The others are tortured for eternity.

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Abandon All Hope

Recommended by

  • Joshua Taylor Piper: Abandon All Hope

    If you rean Jean Paul Satre's "No Exit" and found the concept to be interesting then you need to read this play. Another reference would be if you like the musical "Ride The Cyclone" then this is also for you. Fenton expertly takes the idea of purgatory and riffs of it while tackling the topic of queer people in religous settings. I would love to see this on stage, you have to read it. Such an easy read too!

    If you rean Jean Paul Satre's "No Exit" and found the concept to be interesting then you need to read this play. Another reference would be if you like the musical "Ride The Cyclone" then this is also for you. Fenton expertly takes the idea of purgatory and riffs of it while tackling the topic of queer people in religous settings. I would love to see this on stage, you have to read it. Such an easy read too!

  • Rachel Feeny-Williams: Abandon All Hope

    There are certain styles of play that not only have you debating what you're seeing but they also generate a NEED to know what's going to happen next. For me, "Abandon All Hope" is one of those plays. Presenting as a cross between an analysis of what 'hell' and the preservation from hell means to some people, coupled with an entertaining exploration of who these characters are that have found themselves in hell, all of that makes Abandon All Hope a play where audiences will be entertained as well as filled with a desire to know what happens next.

    There are certain styles of play that not only have you debating what you're seeing but they also generate a NEED to know what's going to happen next. For me, "Abandon All Hope" is one of those plays. Presenting as a cross between an analysis of what 'hell' and the preservation from hell means to some people, coupled with an entertaining exploration of who these characters are that have found themselves in hell, all of that makes Abandon All Hope a play where audiences will be entertained as well as filled with a desire to know what happens next.

  • Kelly McBurnette-Andronicos: Abandon All Hope

    Residing at the intersection of gay and godly, this four-person, post-death exploration takes us on the edifying journey of what we might learn about ourselves in the afterlife. Let’s just say - there’s hope in spite of the title! With a wink to Sarte’s “No Exit” and even a pinch of “The Wizard of Oz” self-discovery, these well-drawn characters rise to the occasion even with - or perhaps because of - their human flaws. I particularly appreciated the balanced structure of the play and the ample opportunities to incorporate multi-media. A solid choice for college-aged actors.

    Residing at the intersection of gay and godly, this four-person, post-death exploration takes us on the edifying journey of what we might learn about ourselves in the afterlife. Let’s just say - there’s hope in spite of the title! With a wink to Sarte’s “No Exit” and even a pinch of “The Wizard of Oz” self-discovery, these well-drawn characters rise to the occasion even with - or perhaps because of - their human flaws. I particularly appreciated the balanced structure of the play and the ample opportunities to incorporate multi-media. A solid choice for college-aged actors.

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Character Information

For the cast of 4 as written,
TERESA doubles as AMY, BEGGAR, KRISTA, and DANNI.
MELISSA doubles as RACHEL and SARAH.
SEAN doubles as ISAIAH and JUSTIN.
EVAN doubles as R.J. and ADAM.
...
For an expanded cast, remove doubling as seen fit, but TERESA must double as AMY, the BEGGAR, and DANNI (she is not required to double as KRISTA if your production wants a larger cast). Instructions for modifying dialogue if doubling is removed is provided in the script. SEAN must be played by an East Asian actor, EVAN probably works best if he's white. All other roles are up to producer's discretion, diversity is encouraged.
...
RACHEL, R.J.*, KRISTA, and SARAH can be played by one or more actors. (F/20s/Any Ethnicity)
...
ISAIAH, JUSTIN, and ADAM can be played by one or more actors. (M/20s/Any Ethnicity)
...
*R.J. is written male but can be portrayed as any gender. Due to gender politics at play in this script, all other roles must be played as the gender they are written.
  • Teresa
    A fun-loving, strategic mastermind film noir femme fatale type assuming the role of a trickster demon. Despite her immortality, she has existential questions of her own. She was once human prior to working for the celestial bureaucracy. In life, she was a struggling actress in the golden age of Hollywood who never got her big break.
    Character Age
    40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Melissa Jones
    Clever, politically ambitious sorority pledge with a strong internal bullshit detector. Her brash exterior is a defense mechanism against her deep longing to belong—anywhere.
    Character Age
    19
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Sean Liu
    Quick-witted, cocky Ivy League student, expert in game theory and debate. His bravado hides a scared, sweet gay boy wanting to step away from his famous family’s spotlight.
    Character Age
    19
    Character Race/Ethnic Identity
    Asian -- East Asian
    Character Gender Identity
    Male
  • Evan Daigle
    Clean-cut, naive evangelical out to prove he truly is a man after God's own heart. Earnest in beliefs and genuinely kind, but often cluelessly, brutally judgmental.
    Character Age
    19
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Male

Development History

  • Type Workshop, Organization Ornithology Media, Year 2023
  • Type Reading, Organization Lambertville Hall, Year 2022
  • Type Workshop, Organization Ornithology Media, Year 2022
  • Type Reading, Organization Dewar-Fenton Group, Year 2021
  • Type Reading, Organization BraveMaker Media, Year 2020
  • Type Workshop, Organization byPeterFenton.com, Year 2020

Production History

  • Type Fringe, Organization Fenton Productions, Year 2024
  • Type Fringe, Organization Rogue Theater Festival, Year 2023