The Mysterious Disappearance

December 1975, after Christmas, and Agatha Christie must finish her autobiography and the final novel before the new year. Yet, Agatha is fixated on an event in her past when Nancy Neele stole her husband. With Mary Westmacott’s help they contemplate what it would be like to kill Nancy. When Nancy turns up dead, Agatha and Mary investigate. Even though Agatha considered murdering Nancy, did she really do it, or...

December 1975, after Christmas, and Agatha Christie must finish her autobiography and the final novel before the new year. Yet, Agatha is fixated on an event in her past when Nancy Neele stole her husband. With Mary Westmacott’s help they contemplate what it would be like to kill Nancy. When Nancy turns up dead, Agatha and Mary investigate. Even though Agatha considered murdering Nancy, did she really do it, or is her reality disappearing?

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The Mysterious Disappearance

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  • Micki Shelton: The Mysterious Disappearance

    Besides being a good murder mystery (or is it?), the focus on and the gradually released realization that this well-crafted play is about the frightening effects of Alzheimer's disease makes it both relevant and engaging. The pace at which we discover first that Agatha Christie’s co-writer Mary isn’t actually present, and next that she is Agatha's alter ego is just right. "The Mysterious Disappearance" is a relevant, engaging well-crafted play that after its premiere at Theatre Artists Studio in Scottsdale, Arizona, must surely go on to garner more productions.

    Besides being a good murder mystery (or is it?), the focus on and the gradually released realization that this well-crafted play is about the frightening effects of Alzheimer's disease makes it both relevant and engaging. The pace at which we discover first that Agatha Christie’s co-writer Mary isn’t actually present, and next that she is Agatha's alter ego is just right. "The Mysterious Disappearance" is a relevant, engaging well-crafted play that after its premiere at Theatre Artists Studio in Scottsdale, Arizona, must surely go on to garner more productions.

  • David Dickinson: The Mysterious Disappearance

    I was privileged to be part of a development staged reading of this play in 2019. The audience was delighted and fully engaged. I enjoyed getting to play all the characters in the male track which is peppered with humor and variety. Kirt Shineman mixes time and space to mire us all unwittingly into the mind of a dementia patient. Filled with snappy, intelligent banter, the tragedy and delight of watching Agatha Christy struggle with her final murder case makes the journey bittersweet leaving the audience, and especially the Christy aficionado, satisfied with a well researched piece of...

    I was privileged to be part of a development staged reading of this play in 2019. The audience was delighted and fully engaged. I enjoyed getting to play all the characters in the male track which is peppered with humor and variety. Kirt Shineman mixes time and space to mire us all unwittingly into the mind of a dementia patient. Filled with snappy, intelligent banter, the tragedy and delight of watching Agatha Christy struggle with her final murder case makes the journey bittersweet leaving the audience, and especially the Christy aficionado, satisfied with a well researched piece of theatre.

CAST: 4 actors— 1 male, 3 females (the man plays all the male characters)

AGATHA CHRISTIE 85 years-old, she walks with a limp, and wears dentures. She enjoys wearing late 40's style suits and skirts with pintucks instead figure seams.

MARY WESTMACOTT a nom de plume between 80 and 115 years-old— a spinster in a 1940’s all grey vintage dress with words sewn into the print. Her severe eyes give away her curiosity. {Only Agatha can see her.}

ROSALIND HICKS 56 years-old, tall, white-haired, enjoys wearing late 60’s bell-bottom pants and a blouse.

ANTHONY “TONY” HICKS 59 years-old in 1970’s work clothes.

HARRY MAYNARD old, gray beard, balding, and hefty. (Played by the same actor who portrays TONY.)

ARCHIE CHRISTIE an elegant man dressed in a 1920’s tuxedo, with tails, and he is well groomed. (Played by the same actor who portrays TONY.)

WILLIAM “BILLY” COLLINS friend, publisher and editor for HarperCollins, in a business suit. (Played by the same actor who portrays TONY.)

Development History

  • Type Workshop, Organization Phoenix Theater, Year 2020

Production History

  • Type Community Theater, Organization Theater Artists Studio, Year 2021