All Eight

It’s 2011 in Upstate New York, and nine freshmen women sit in a boat together every morning at 6am on their collegiate rowing team, competing with each other up for the fastest times, lowest body weights, and most influential seats, until race day when they are asked to put it all aside and row together as comrades in one boat. Crew would be chaotic enough on its own, but off the water, their coach shows up at...

It’s 2011 in Upstate New York, and nine freshmen women sit in a boat together every morning at 6am on their collegiate rowing team, competing with each other up for the fastest times, lowest body weights, and most influential seats, until race day when they are asked to put it all aside and row together as comrades in one boat. Crew would be chaotic enough on its own, but off the water, their coach shows up at their parties and drinks with them, makes lewd comments about their bodies, and is allegedly sleeping with one of them. So when one rower secretly rats him out for allegedly sleeping with a student and is seemingly rewarded with the best seat in the boat when he’s fired, her motives come into question– as does her position of privilege on the team. Over the course of their freshman year, All Eight examines how the world of collegiate sports drives these young women with varied power to fight to win– races, love, power– at the expense of even each other.

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All Eight

Recommended by

  • Iraisa Ann Reilly: All Eight

    If you know nothing about the sport of rowing or its part in the history of female athletics, the relationships in this play definitely take the helm. If you do know what it is to row a boat down a river at 5am for sport, then this play taps into all the nuanced experiences and emotions. Camp takes a close look at all of the complicated power dynamics of male dominated arenas when the males are not present, and when the men have allegedly lost power. I would love to see this play onstage, especially at (D-1) universities.

    If you know nothing about the sport of rowing or its part in the history of female athletics, the relationships in this play definitely take the helm. If you do know what it is to row a boat down a river at 5am for sport, then this play taps into all the nuanced experiences and emotions. Camp takes a close look at all of the complicated power dynamics of male dominated arenas when the males are not present, and when the men have allegedly lost power. I would love to see this play onstage, especially at (D-1) universities.

  • Conor McShane: All Eight

    As someone who was not blessed with any innate athletic ability, I know as little about sports as humanly possible, but I love any time a play can put me in a very specific world that feels real and lived-in, and this play definitely accomplishes that. I don't think you have to know much about crew to appreciate the character dynamics and the mix of camaraderie and competition among the rowers.

    As someone who was not blessed with any innate athletic ability, I know as little about sports as humanly possible, but I love any time a play can put me in a very specific world that feels real and lived-in, and this play definitely accomplishes that. I don't think you have to know much about crew to appreciate the character dynamics and the mix of camaraderie and competition among the rowers.

  • Francisco Mendoza: All Eight

    I heard someone describe it as "the first Title IX play" at its reading in New York and it certainly fits the bill: ALL EIGHT is a nuanced, equal parts horrific and funny exploration of the experiences of young women in collegiate sports. While it tackles the Big Subject of sexual harrasment, it keeps the focus squarely on the women (we never see the coach or other men), and it never lets us off the hook: heroes can be selfish, victims can be complicit, and winning the race always comes at a price.

    I heard someone describe it as "the first Title IX play" at its reading in New York and it certainly fits the bill: ALL EIGHT is a nuanced, equal parts horrific and funny exploration of the experiences of young women in collegiate sports. While it tackles the Big Subject of sexual harrasment, it keeps the focus squarely on the women (we never see the coach or other men), and it never lets us off the hook: heroes can be selfish, victims can be complicit, and winning the race always comes at a price.

View all 4 recommendations
All college freshmen women
Amanda– white, wealthy, feisty, intelligent
Logan– shorter butch lesbian, type A, perfectionist
Alex– butch lesbian, dry, secretly anxious
Sarah– non-white, intense, manic, power-hungry
Gina – Asian-American, feminine, basic
Mary– a wide-eyed wildcard, odd, fun at parties, or a disaster, you never know Kate– soft, genuine, naive
Jennie– Latina, smart, sarcastic, has BPD
Sally– white, on the spectrum, impressionable

Development History

  • Type Reading, Organization Lanford Wilson New American Play Festival, Year 2021
  • Type Workshop, Organization Normal Ave, Year 2019
  • Type Reading, Organization Brave New World Rep, Year 2019

Production History

Awards