A hilarious and briskly moving satire that skewers virtue signaling, superficial DEI efforts, and white privilege while also exploration the complex socio-cultural dynamics that are characteristic of the greater Boston area. King captures a wonderful sense of place. The heightened, farcical setup has shades of classic pieces like "The Government Inspector," but content-wise it is pitched so perfectly at the current individual and institutional roadblocks to change, progress, justice, and equity. King also tosses in an apt critique of various kinds of art--relics, responsive art, and art of...
A hilarious and briskly moving satire that skewers virtue signaling, superficial DEI efforts, and white privilege while also exploration the complex socio-cultural dynamics that are characteristic of the greater Boston area. King captures a wonderful sense of place. The heightened, farcical setup has shades of classic pieces like "The Government Inspector," but content-wise it is pitched so perfectly at the current individual and institutional roadblocks to change, progress, justice, and equity. King also tosses in an apt critique of various kinds of art--relics, responsive art, and art of unclear authorship and intent.