Jane, Queen's Foole

ACT 1: Princess Mary Tudor, passionate Catholic, daughter of King Henry VIII and the late Katherine of Aragon, is cut by her rejecting father from her claim to the English throne; Mary refused to support the King’s divorce from her mother, his subsequent marriage to Anne Boleyn, and his Protestant control of the English church.

Chester, Mary’s loyal servant, brings to Mary a “crazy,” starving, compulsively...

ACT 1: Princess Mary Tudor, passionate Catholic, daughter of King Henry VIII and the late Katherine of Aragon, is cut by her rejecting father from her claim to the English throne; Mary refused to support the King’s divorce from her mother, his subsequent marriage to Anne Boleyn, and his Protestant control of the English church.

Chester, Mary’s loyal servant, brings to Mary a “crazy,” starving, compulsively rhyming lame girl named Jane who makes Mary laugh and relates to her anguish about cruel fathers. Most importantly, Jane predicts Mary will be Queen someday. Mary keeps Jane as her “Foole,” the first and only female jester in the English court. Jane becomes a skilled rhymer and Mary’s confidante. Jane is hurt when Mary rejects her as a friend, reminding Jane she is but a servant. But when Mary is forced on penalty of death to sign a document relinquishing her claim to be Queen someday, Jane secures her seer’s status with Mary, predicting all (actual) events that will lead to Mary being crowned.

ACT 2: Seventeen years later, as Jane predicted, Mary is Queen, the first female to govern England. But now Jane now tells Mary truths Mary does not want to hear. She warns Queen Mary against marrying Philip of Spain, but Mary enters into an emotionally disastrous and politically damaging marriage. When Jane humiliates Mary in front of the court by publicizing Mary’s false pregnancy, Mary banishes Jane from the palace. Chester, Jane’s perpetual enemy, names Jane as a pagan infidel and intends to burn Jane at the stake with the numerous Protestant “heretics” Mary put to death. At the last minute, Mary lets Jane go.

Three years pass with no contact between Jane and Mary. Mary, dying of influenza, calls Jane to her deathbed. The two women ask for forgiveness of each other before Mary dies.

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Jane, Queen's Foole

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  • Powerstories Theatre: Jane, Queen's Foole

    Powerstories Theatre congratulates Barbara Blatner for being a finalist for the 2026 Voices of Women Festival. Readers commented on: "the blend of history, humor, and emotional complexity that offers something unique for audiences" and declared it "a piece that invites nuance, discovery, and bold female perspectives."

    Powerstories Theatre congratulates Barbara Blatner for being a finalist for the 2026 Voices of Women Festival. Readers commented on: "the blend of history, humor, and emotional complexity that offers something unique for audiences" and declared it "a piece that invites nuance, discovery, and bold female perspectives."

  • Lainie Vansant: Jane, Queen's Foole

    A fascinating, complex piece of theatre. Blatner has rescued Jane from a forgotten corner of history and given her life in this rich piece.

    A fascinating, complex piece of theatre. Blatner has rescued Jane from a forgotten corner of history and given her life in this rich piece.

  • Julie Linden: Jane, Queen's Foole

    I had the privilege of seeing the livestreamed staged reading of Jane, Queen’s Foole, in the 2023 Centenary Stage's Women's Playwrights Series. Bringing together Mary Tudor, whose life and reign are well-documented, and Jane, about whom little is known, Barbara Blatner has developed the source material into characters whose relationship drives the expertly paced plot. Jane, with her clever and bawdy rhymes, her unsettling understanding of Mary’s “wound,” and her poignant longing for love and friendship, is an unforgettable character. I was completely absorbed by the world--and the women--that...

    I had the privilege of seeing the livestreamed staged reading of Jane, Queen’s Foole, in the 2023 Centenary Stage's Women's Playwrights Series. Bringing together Mary Tudor, whose life and reign are well-documented, and Jane, about whom little is known, Barbara Blatner has developed the source material into characters whose relationship drives the expertly paced plot. Jane, with her clever and bawdy rhymes, her unsettling understanding of Mary’s “wound,” and her poignant longing for love and friendship, is an unforgettable character. I was completely absorbed by the world--and the women--that Blatner has created in this superb play.

View all 4 recommendations
JANE FOOLE - English female, poor country girl, “schizophrenic,” a compulsive rhymer, walks with a limp, ages 16, 33, 35, 38.

MARY TUDOR - PRINCESS MARY, then QUEEN MARY 1, daughter of King Henry VIII and Katherine of Aragon, ages 20, 37, 39, 42. Anxious, strong.

LUCRECE THE TUMBLER – a bisexual female little person, a court entertainer acrobat. Cynical, practical.

WILL SOMER – King Henry VIII’s principal Fool. Childlike, distracted, lost.

CHESTER - a palace guard, male. Carries a sword. Possessive of MARY. An orphan who was raised in Catherine of Aragon's household.

BEGGAR, CLOTHIER, BARBER, HENCHMAN, PRIEST - played by one actor.

ADDITIONAL NON-SPEAKING ROLES - BEGGARS, CLOTHIER - doubled by actors playing LUCRECE and WILL

Development History

  • Type Reading, Organization Centenary Stage, Women Playwrights Series, Year 2024
  • Type Reading, Organization NEW CIRCLE THEATRE COMPANY, Year 2022

Production History

  • Type Professional, Organization CENTENARY STAGE, WOMEN PLAYWRIGHTS SERIES, Year 2023

Awards

  • BHTC Winning plays
    Broad Horizons Theatre Company
    Finalist
    2022
  • Julie Harris Award
    Beverly Hills Theatre Guild
    Runner Up
    2024
  • Judith Royer Excellence in Playwriting Award
    ATHE
    Finalist
    2024