Every Living Thing

NITYA, a young Jain nun, has taken the vow of Sallekhana, renouncing all food and drink until her final breath. She is found dying on the streets of Chicago by WHITNEY, a nursing resident and enthusiastic astrologer. Whitney becomes convinced she is meant to save Nitya, but Nitya does not want to be saved. This conflict forces both of them to extremes they never thought possible, challenging the beliefs they...

NITYA, a young Jain nun, has taken the vow of Sallekhana, renouncing all food and drink until her final breath. She is found dying on the streets of Chicago by WHITNEY, a nursing resident and enthusiastic astrologer. Whitney becomes convinced she is meant to save Nitya, but Nitya does not want to be saved. This conflict forces both of them to extremes they never thought possible, challenging the beliefs they hold most dear.

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Every Living Thing

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  • Lainie Vansant: Every Living Thing

    I got to see a Zoom reading of this play for 2025's GPTC, and it was a deftly balanced emotional ride. The comedy is layered in nicely with big, important themes and questions the play poses but doesn't try to answer. What or who is God? How much should we try to help one another? How do we feed both our physical and spiritual selves? Sometimes pursuing the answers to these questions makes our characters look ridiculous, but I appreciated their honest pursuit of the answers. Beautiful work.

    I got to see a Zoom reading of this play for 2025's GPTC, and it was a deftly balanced emotional ride. The comedy is layered in nicely with big, important themes and questions the play poses but doesn't try to answer. What or who is God? How much should we try to help one another? How do we feed both our physical and spiritual selves? Sometimes pursuing the answers to these questions makes our characters look ridiculous, but I appreciated their honest pursuit of the answers. Beautiful work.

  • Karen Jean Martinson: Every Living Thing

    A funny, moving play built around a lead character who is oddly likeable despite all of her annoying traits! Whitney is just SO Whitney, and she undertakes a terrible act in order to "save" Nitya. And yet she also tries to learn from her, even if she cannot accept Nitya's vow. Like many of Leroy's plays, ELT grapples with the beliefs we hold, the traumas we carry, the friendships we foster, and the way we seek to find meaning in our lives.

    A funny, moving play built around a lead character who is oddly likeable despite all of her annoying traits! Whitney is just SO Whitney, and she undertakes a terrible act in order to "save" Nitya. And yet she also tries to learn from her, even if she cannot accept Nitya's vow. Like many of Leroy's plays, ELT grapples with the beliefs we hold, the traumas we carry, the friendships we foster, and the way we seek to find meaning in our lives.

  • Straton Rushing: Every Living Thing

    Perhaps it is a bit cliche to say well-written characters "feel like real people". But in the case of Hood's play, there really is not a more succinct way to describe this story's greatest strength. All three of these characters have fascinating layers that are slowly peeled back as the story progresses. This play asks hard questions of its audience about life, death, and the responsibility we have to one another.

    Perhaps it is a bit cliche to say well-written characters "feel like real people". But in the case of Hood's play, there really is not a more succinct way to describe this story's greatest strength. All three of these characters have fascinating layers that are slowly peeled back as the story progresses. This play asks hard questions of its audience about life, death, and the responsibility we have to one another.

View all 4 recommendations
NITYA - Indian female, 20's
WHITNEY - White female, 20's
FLIP - Open ethnicity male, late 20's/early 30's