Second Book Syndrome

FULL LENGTH: SECOND BOOK SYNDROME is an urban fantasy dramedy about debut novelist Robert Schiftan, who, in the midst of avoiding calls from his agent and publisher, is visited by a young woman who may or may not be Calliope "Callie" Thornwind, the protagonist of his hit YA novel. Meanwhile, Robert's agent Mira is approached at her office by a man claiming to be the novel's antagonist, Edmund Rose, who offers to...

FULL LENGTH: SECOND BOOK SYNDROME is an urban fantasy dramedy about debut novelist Robert Schiftan, who, in the midst of avoiding calls from his agent and publisher, is visited by a young woman who may or may not be Calliope "Callie" Thornwind, the protagonist of his hit YA novel. Meanwhile, Robert's agent Mira is approached at her office by a man claiming to be the novel's antagonist, Edmund Rose, who offers to help her galvanize Robert through his creative block. When both parties converge on Robert's apartment, resentments bubble to the surface and uncomfortable truths come to light. Can the sins of author and agent be addressed in time for Robert to meet his deadlines? Can creator and character work together to tell the story that demands to be told?

Written for End of Play, 2023 - Current Draft Updated 7/7/26!

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Second Book Syndrome

Recommended by

  • Kim E. Ruyle: Second Book Syndrome

    Characters come to life to confront an author and his agent in this insightful meta play. They strip the covers from the writing process and raise thorny questions. What's the source of our ideas? Is anything we write truly original? Do we have the permission to write what we want? Does our identity handcuff us so we’re limited in what we write? To what extent are our characters autobiographical? Who are we writing for? As Mira says, “Impact trumps intent.” Those are chilling words. Well done.

    Characters come to life to confront an author and his agent in this insightful meta play. They strip the covers from the writing process and raise thorny questions. What's the source of our ideas? Is anything we write truly original? Do we have the permission to write what we want? Does our identity handcuff us so we’re limited in what we write? To what extent are our characters autobiographical? Who are we writing for? As Mira says, “Impact trumps intent.” Those are chilling words. Well done.

  • Brent Alles: Second Book Syndrome

    I absolutely love the premise of this work, and the execution is superb. Where does inspiration truly come from? As writers, do we ultimately have RESPONSIBILITY for what (and whom) we create? And what do more contemporary pressures mean when it comes to creation? This play explores all that and more, always keeping your interest and getting you to care about the characters, even (especially?) the heel. I loved spending time in the world that Heyman created and think other audiences certainly would as well. Produce this play!

    I absolutely love the premise of this work, and the execution is superb. Where does inspiration truly come from? As writers, do we ultimately have RESPONSIBILITY for what (and whom) we create? And what do more contemporary pressures mean when it comes to creation? This play explores all that and more, always keeping your interest and getting you to care about the characters, even (especially?) the heel. I loved spending time in the world that Heyman created and think other audiences certainly would as well. Produce this play!

  • Julie Zaffarano: Second Book Syndrome

    I love this roller-coaster play. Sam Heyman creates a crazy world where every time we think we are settling in, the play shifts and twists -- always driving towards the inevitable and surprising ending. This is a play set in the world of writing and publishing, as the characters look for their identities and explore how far they will go to get what they want. This play forces us to look inside ourselves and ask questions we would prefer to avoid. Well done.

    I love this roller-coaster play. Sam Heyman creates a crazy world where every time we think we are settling in, the play shifts and twists -- always driving towards the inevitable and surprising ending. This is a play set in the world of writing and publishing, as the characters look for their identities and explore how far they will go to get what they want. This play forces us to look inside ourselves and ask questions we would prefer to avoid. Well done.

View all 19 recommendations

Development History

  • Type Reading, Organization Fox Crossing Productions, Year 2026
  • Type Reading, Organization Self-Produced, Year 2025
  • Type Reading, Organization Playwrights Thriving, Year 2023

Awards

  • Words Cubed
    Utah Shakespeare Festival
    Semi-Finalist
    2025
  • Shortlist
    Epiphanies New Works Festival
    2024