This workplace farce works great on its own: fast-paced, funny, with Nelson steadily ratcheting up the stakes and the wildness. But the randomness of the "anything-goes" casting is a subtle stroke of brilliance that takes it to another level, forcing the audience to think about their subconscious biases when it comes to outcasts, busybodies, lovers, and positions of authority.

A farce that will always be unpredictable. I truly love the opening concept of the assigned roles to actors that dance on meta territory. The play is a light-hearted, fast-paced comedy. You can sense how much fun the playwright had writing this. Farces are truly a difficult project. I believe any comedy director out there would thoroughly enjoy tackling this play.

This over the top farce feels like a brilliant classic theatre students should have been studying and obsessed with for years! But the twist in this play is you will NEVER see the same show twice! The actors names are drawn at random by an audience member and they are assigned their roles at the start of the show. If this play wasn't funny enough already to bring people back again and again, the promise of a new show every night will have the run of this sold out to standing room only! So much fun!