THE EGG

Full-length: A deranged CEO who's hellbent on immortality releases a technology that upends the lives of a hacker whose face sprouts feathers, a professor who lays eggs, and the mute street artist caught in the middle.

Full-length: A deranged CEO who's hellbent on immortality releases a technology that upends the lives of a hacker whose face sprouts feathers, a professor who lays eggs, and the mute street artist caught in the middle.

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THE EGG

Recommended by

  • L.B. Deyo: THE EGG

    Asked what he wanted out of going to the theater, Edward Albee said, "To see something I've never seen before." THE EGG achieves this seemingly impossible goal through its imaginative, philosophical and literary power. The language is magnificent, the characters are brilliantly vivid. You'll laugh through your tears.

    Asked what he wanted out of going to the theater, Edward Albee said, "To see something I've never seen before." THE EGG achieves this seemingly impossible goal through its imaginative, philosophical and literary power. The language is magnificent, the characters are brilliantly vivid. You'll laugh through your tears.

  • Ava Love Hanna: THE EGG

    The Egg is a wildly inventive, structurally daring comedy that earns every absurdist flourish. Masterson's writing is precise where it counts and delightfully unhinged everywhere else. This play is a defense of the sacred weirdness and messiness of being human and hides a genuinely tender question inside the joke: what do we protect when the world wants to process everything into data? Incredibly smart writing perfectly blended with heart and absurdity. I can't wait to see this one on stage.

    The Egg is a wildly inventive, structurally daring comedy that earns every absurdist flourish. Masterson's writing is precise where it counts and delightfully unhinged everywhere else. This play is a defense of the sacred weirdness and messiness of being human and hides a genuinely tender question inside the joke: what do we protect when the world wants to process everything into data? Incredibly smart writing perfectly blended with heart and absurdity. I can't wait to see this one on stage.

Character Information

A cast of eight is sufficient, with an ensemble playing smaller roles and doubling up others. The play can also accommodate a larger cast (like a school production) with less doubling up and with casting actors or puppeteers to play some of the non-human parts (e.g. dolls, an iguana).
  • Mavis
    This character lays eggs. (Really.)
    Character Age
    20s - 40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Raymond
    Social misfit, savant.
    Character Age
    20s - 40s
    Character Race/Ethnic Identity
    Any
  • Chuy
    A mostly mute street artist. The actor should be competent with mime/clowning, but will also have some surprising lines of verse poetry.
    Character Age
    20s - 50s
    Character Race/Ethnic Identity
    Latino
    Character Gender Identity
    Male
  • Agnes
    Older, exudes confidence.
    Character Age
    40s - 70s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Falco
    Part bird, part human, indeterminate gender.
    Character Age
    20s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Non-binary
  • Carrie
    Carrie is a holographic virtual therapist, so things like age and gender are artificial and malleable.
    Character Age
    30s-60s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Hortensia
    Character Age
    30s-40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Lambast P. Sketch
    Character Age
    50s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • The Dollums (Ensemble)
    Three characters comprise The Dollums, a chorus of dolls whom Agnes consults on major decisions. Actors should bring physicality (e.g. dance, mime, clowning, contortion) to these roles.

    DOOT: Expresses Agnes's thoughts
    AH: Expresses Agnes's feelings
    BOOTAY: Determines Agnes's course of action

    Note: In a smaller ensemble, these could be literal dolls, or puppets.
    Character Age
    20s-70s
    Character Gender Identity
    Any

Development History

  • Type Reading, Organization The Zahir Productions, Year 2026

Production History

  • Type Community Theater, Organization The Zahir Productions, Year 2026