Crushing in the finest way, One Two One Three is a masterful piece of playwriting. The revelations are placed perfectly, and are both understated and unexpected. The story set in motion by an exact and wholly accurate-feeling stage direction: "They do not yell." Fantastic.

Gut-wrenching stuff, made all the moreso by the evident love between all its characters, seen and unseen. Mathew Green beautifully captures a marriage - the ways we can tactically bolster or challenge or ignore or indulge our spouses as needed to get done what needs to get done, even in the direst of circumstances. Sensitive, painful, and truthful above all, this short piece will quietly put you through it. (Special shout-out, too, for an excellent, layered, resonant choice of title.)

Mathew Green pens a beautifully written play about dealing with grief from different perspectives. The father appears to be closer to their son, the mother seems more concerned about the neighbors' opinions. Should they preserve their son's authentic identity or the family's reputation? That's the question. A play that builds the tension to the end and invites reflection. Highly recommended.