THE MOUNTAIN OF THE SERVANTS OF GOD

(Full length ~100 min/ Draft 4) As floodwaters rise behind a controversial new dam in southeast Turkey, archaeologist Ayşe Yildiz races to protect an ancient mosaic unearthed in a remote Syriac monastery perched on the edge of the Tigris River. The mosaic is a masterpiece—a fragile link between civilizations, faiths, and centuries. But time is running out.

An early draft was a Semifinalist in the Risk Theatre...

(Full length ~100 min/ Draft 4) As floodwaters rise behind a controversial new dam in southeast Turkey, archaeologist Ayşe Yildiz races to protect an ancient mosaic unearthed in a remote Syriac monastery perched on the edge of the Tigris River. The mosaic is a masterpiece—a fragile link between civilizations, faiths, and centuries. But time is running out.

An early draft was a Semifinalist in the Risk Theatre Modern Tragedy Competition 2025.

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THE MOUNTAIN OF THE SERVANTS OF GOD

Recommended by

  • Micaele (Mikaylee) Johnson: THE MOUNTAIN OF THE SERVANTS OF GOD

    Syran's thought provoking play will have you asking important questions of humanity and our relationship to deep rich history in art. The play's intricate premise and interesting characters all in a pressure cooker race against time to save history.

    Syran's thought provoking play will have you asking important questions of humanity and our relationship to deep rich history in art. The play's intricate premise and interesting characters all in a pressure cooker race against time to save history.

  • Jennifer O'Grady: THE MOUNTAIN OF THE SERVANTS OF GOD

    Wow, this is such a great play. I found it riveting. Syran’s ability to put us smack-dab and utterly convincingly into an archaeological dig at a monastery in southeastern Turkey is just so impressive, and with its complex believable characters, skillful dialogue, universal relatable themes and a “ticking clock” that sets the stakes very high, this play would make a terrific theatrical experience for audiences of all kinds.

    Wow, this is such a great play. I found it riveting. Syran’s ability to put us smack-dab and utterly convincingly into an archaeological dig at a monastery in southeastern Turkey is just so impressive, and with its complex believable characters, skillful dialogue, universal relatable themes and a “ticking clock” that sets the stakes very high, this play would make a terrific theatrical experience for audiences of all kinds.

  • Jacquelyn Floyd-Priskorn: THE MOUNTAIN OF THE SERVANTS OF GOD

    The clock on this play is so very real! My heart was racing as I got to the end. The relics of the past in physical and emotional form both racing against the clock to be saved...or at least preserved. A powerful female forward story for the ages.

    The clock on this play is so very real! My heart was racing as I got to the end. The relics of the past in physical and emotional form both racing against the clock to be saved...or at least preserved. A powerful female forward story for the ages.

View all 9 recommendations
(order of appearance)

AYŞE - Female. 40s. Turkish Archaeologist. Daughter of the former Minister of Tourism and Culture. (Pron. Eye-Shuh)
Raw feminine energy; a woman as at ease with her intellect as she is in digging in the dirt and driving a truck

MIRA - Female. 30s-50s. Loyal caretaker of Father Gabriel and Mor Saro. (Pron. Meer-a)
Forever feels like a foreigner, Yazidi. Escaped Syria ten years prior. Exudes a quiet strength. Sharp.

FATHER GABRIEL - Male. 50-70s Syriac Priest of Mor Saro.
A genuine man of faith. Worried about the things of this world, but forever hopeful. Fond of nice food, wine and company.

VOICE ON THE TELEVISION Male/Female (20+)

IPHIGENIA - Female. 20s. University Student from Canada. Half Greek, Half Turkish. Has something to prove to herself. Still working herself out. Capable. Interested. A bit lost. (Pronounced If-i-jen-ia) (Also plays Female Tourist*)

DENIZ - Male. 30-40s. Hardworking Turkish archeologist. Muslim. Cares for his family above archeology which he adores. Not a misogynist bone in his body.

AKSEL - Male. 50s. Turkish Minister of Culture (Pron. Ack-cell). (Also plays Male Tourist*)
Ambitious. Attractive in a Professor Indiana Jones way even now that he has given up archeology and wears a suit and tie

There are a total of 6 speaking roles, 8 total roles with 2 non-speaking characters

Development History

  • Type Reading, Organization Playwrights Thriving Reading Series, Year July 10, 2025
  • Type Reading, Organization Workshop, OrganizationDavenport Theatrical / Playwriting Workshop with Eric Webb, Year 2025