LEAR, INTERRUPTED

LEAR, INTERRUPTED follows Artistic Director Daniel Levine on the night The Foundry was supposed to reopen with a bold new Lear—but instead, he’s there to shutter the place for good. Alone onstage, he delivers a farewell that quickly unravels into a raw, storm-tossed reckoning with legacy, collapse, and the art form he gave everything to. Speaking to an audience that may or may not exist, Daniel confronts the...

LEAR, INTERRUPTED follows Artistic Director Daniel Levine on the night The Foundry was supposed to reopen with a bold new Lear—but instead, he’s there to shutter the place for good. Alone onstage, he delivers a farewell that quickly unravels into a raw, storm-tossed reckoning with legacy, collapse, and the art form he gave everything to. Speaking to an audience that may or may not exist, Daniel confronts the wreckage of his life and career in a final attempt to make meaning before the lights go out.

This play is a love letter to the American theater. The full spectrum of production possibilities is on the table: it may be fully staged and performed by a seasoned actor, or briefly rehearsed and read aloud by a current Artistic Director at a regional theater. In either case, real-world anecdotes specific to the producing theater may be substituted or woven in to deepen its local resonance.

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LEAR, INTERRUPTED

Recommended by

  • Danielle Wirsansky: LEAR, INTERRUPTED

    Devastating, funny, and fiercely theatrical, Lear, Interrupted is a love letter and eulogy for the American theatre. Cefaly gives one actor a storm of grief, wit, and reckoning, making collapse feel intimate, epic, and painfully alive.

    Devastating, funny, and fiercely theatrical, Lear, Interrupted is a love letter and eulogy for the American theatre. Cefaly gives one actor a storm of grief, wit, and reckoning, making collapse feel intimate, epic, and painfully alive.

  • Jewish Plays Project: LEAR, INTERRUPTED

    Jewish Plays Project selected a ten-minute section (called "Still, We Obey") from this full length piece LEAR, INTERRUPTED as a Semi-Finalist out of 270 plays in our 2nd Ten Minute Play Contest “On One Foot”, which searched nationally from artists of all backgrounds to respond to our prompt “Moving Forward at the Edge of the Unknown". Our readers connected with the question of what is reality and what is charade, and how does theatre move forward (or not) in this moment.

    Jewish Plays Project selected a ten-minute section (called "Still, We Obey") from this full length piece LEAR, INTERRUPTED as a Semi-Finalist out of 270 plays in our 2nd Ten Minute Play Contest “On One Foot”, which searched nationally from artists of all backgrounds to respond to our prompt “Moving Forward at the Edge of the Unknown". Our readers connected with the question of what is reality and what is charade, and how does theatre move forward (or not) in this moment.

  • Gina Femia: LEAR, INTERRUPTED

    Absolutely fantastic. A true modern-day king Lear.

    Absolutely fantastic. A true modern-day king Lear.

View all 4 recommendations

Character Information

1 MALE OR FEMALE - AGE 40-70+
  • Daniel Levine
    Artistic Director of The Foundry. Charismatic, erudite, and barely holding himself together, Daniel is a true believer in the transformative power of theater—equal parts orator, priest, and burnout, trying to outlast the storm.

    Daniel Levine was originally written as a white Jewish man, but the role can be played by any actor whose lived experience resonates with the material, especially those with ties to institutional legacy, artistic leadership, or cultural memory.
    Character Gender Identity
    Any