Suffer a Witch

by Donna Latham

A trial of good and evil. Thou shalt not suffer a witch to live! For truth, ‘tis time for a witch-swimmin’ in Grace Sherwood’s Colonial Virginia witch trail. Independent, tart-tongued, and unorthodox, herbalist-healer Grace sticks out like a witch’s teat in a God-fearing community. She stands accused of conjuring a late-term miscarriage, bewitching crops, and shapeshifting, among other offenses. Town pervert...

A trial of good and evil. Thou shalt not suffer a witch to live! For truth, ‘tis time for a witch-swimmin’ in Grace Sherwood’s Colonial Virginia witch trail. Independent, tart-tongued, and unorthodox, herbalist-healer Grace sticks out like a witch’s teat in a God-fearing community. She stands accused of conjuring a late-term miscarriage, bewitching crops, and shapeshifting, among other offenses. Town pervert Luke Hill, her main accuser, lusts over Grace and covets her land. Verity, her beloved granddaughter, comes into to her own powers. When the court orders a trail by water, Grace is stripped and crossbound in a burlap sack. She is ducked into the waters of Lynnhaven River. Will Grace sink or float? Is she innocent or guilty? A full-length play in one act.

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Suffer a Witch

Recommended by

  • Benjamin Peel: Suffer a Witch

    Like many a good historical play 'Suffer a Witch' examines events from the past without applying the lens of the present but rather letting the parallels to modern times become apparent through plot, character and action. I loved the wonderfully heightened staccato dialogue and I am assuming it's the deliberate result of research because as a British reader I was struck by the use of certain slang words and idioms which may well be because it's set in colonial era America, a time when language and accent was constantly evolving. It's a play that deserves and needs to be staged.

    Like many a good historical play 'Suffer a Witch' examines events from the past without applying the lens of the present but rather letting the parallels to modern times become apparent through plot, character and action. I loved the wonderfully heightened staccato dialogue and I am assuming it's the deliberate result of research because as a British reader I was struck by the use of certain slang words and idioms which may well be because it's set in colonial era America, a time when language and accent was constantly evolving. It's a play that deserves and needs to be staged.

  • Ian Thal: Suffer a Witch

    Though Latham takes a few dramatic liberties with the historical record in this dramatization of Grace Sherwood's death, "Suffer a Witch" is nonetheless a powerful drama told in an atavistic language rich in bawdiness, blasphemy, and viscera, about how an oppressive regime fueled by misogyny and religious fanaticism will use even the random marks nature puts on one's body as a point of leverage.

    Though Latham takes a few dramatic liberties with the historical record in this dramatization of Grace Sherwood's death, "Suffer a Witch" is nonetheless a powerful drama told in an atavistic language rich in bawdiness, blasphemy, and viscera, about how an oppressive regime fueled by misogyny and religious fanaticism will use even the random marks nature puts on one's body as a point of leverage.

  • Ali MacLean: Suffer a Witch

    A timely classic tale of a witch trial which seems all too familiar even today where a community demonizes one of their own as being "other". Cunning women, land grabs, lecherous men, poisonous potions, and trial by hanging are all featured in this Colonial witch hunt. Great understanding of the period language and politics of the time and a direct parallel to how women and minorities face persecution today!

    A timely classic tale of a witch trial which seems all too familiar even today where a community demonizes one of their own as being "other". Cunning women, land grabs, lecherous men, poisonous potions, and trial by hanging are all featured in this Colonial witch hunt. Great understanding of the period language and politics of the time and a direct parallel to how women and minorities face persecution today!

View all 4 recommendations

Development History

  • Type Workshop, Organization Rising Sun Performance Company, NYC, Year 2018
  • Type Reading, Organization Rabbit's Riot Theatre Company, Sligo, Ireland, Year 2017
  • Type Reading, Organization Williams Street Rep Reading Series, Crystal Lake, IL, Year 2017

Production History

  • Type Community Theater, Organization Company OnStage, Houston , Year 2019

Awards

  • The Phoenix Theatre Festival of New American Theatre
    Semi-Finalist
    2018