The Interior

[ONE-ACT SOLO PLAY/HORROR]
Skylar Chapin does not do well outside of big cities. Stranded in the wilds of the Pacific Northwest after a plane crash and possessing next to no survival skills, Skylar tries to make it back to civilization... only to discover an even greater danger.

This is a solo play that can be performed by an actor of any gender or race within a wide range of ages.
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The Interior

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  • John Busser:
    28 Aug. 2022
    I think this is one of the most satisfying twist endings I've ever read. The build up, the horror that pervades throughout and the ENORMOUS sense of relief when the protagonist finds out what is going on had me grinning from ear to ear. I loved this piece, but only because it had me so completely bamboozled. And considering what the ending was, it was sooooooo appropriate as the answer. I would give it away. It's too perfect an ending.
  • Cole Hunter Dzubak:
    13 Jul. 2022
    Wow. This. Now this is good freaking theatre. Scott Sickles is a playwright I often find myself coming back to, and for good reason. Everything about this piece is so good and is so inspiring. The characterization is brilliant, the pacing is phenomenal, everything about this piece is just brilliant. I love the story and the twist and turns it takes. It's creepy as hell and is a situation many are afraid to be in, but the ending is just so nice and truly the cherry on top of this wonderful sundae.
  • Nora Louise Syran:
    24 Apr. 2022
    Leave it to Scott Sickles to create a character who announces they're unable to survive and then watch them thrive, despite themselves! As Sickles does, seamlessly moving through genres. He instills in his character modesty and humanity and renders him/her universal. Sickles and the super cold read by Miranda Jonte of Backporch Theater held my attention from start to finish. Fine work. Bravo.