“ A boldly theatrical piece that uses theatrical conventions to surprise; dig into its main character's personality, experiences and life; and illustrates PTSD in an inventive manner. Lopez explores unsettling topics of gay conversion therapy, internalized and externalized homophobia, and more with a deft hand and a focus on characterization and healing. I appreciated the examination of how Fernando's struggles both impacted and were impacted by those around him who loved and cared for him. In Carlos, we meet a challenging and at times deplorable human; I was impressed with Lopez gives him nuance and shading. ”