FAT UGLY PIGS ON CAMERA by Greg Hovanesian

FULL-LENGTH: Sue has some problems. In a world where women, as opposed to men, run the internet porn industry, she’s a successful producer. But that success has bred enemies: the courts, the FBI, and of course, her own child. As her world unravels, and as people who she love become irrevocably damaged, the cameras continue to roll, capturing scenes of love for millions to see. There may be only one thing...
FULL-LENGTH: Sue has some problems. In a world where women, as opposed to men, run the internet porn industry, she’s a successful producer. But that success has bred enemies: the courts, the FBI, and of course, her own child. As her world unravels, and as people who she love become irrevocably damaged, the cameras continue to roll, capturing scenes of love for millions to see. There may be only one thing that can save her, and everyone else, from the madness...an act of violence, a piece of salvation, for all the world to see....
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FAT UGLY PIGS ON CAMERA

Recommended by

  • Doug DeVita:
    31 Mar. 2020
    “ "People kill what they love. It’s what they do. ... It’s the curse of being human." This line! THIS LINE! It perfectly sums up Hovanesian's provocative play with the equally provocative title. Playing like a modern-day Jacobean tragedy, with all of that genres high emotions, high stakes, and high body count perfectly in place, this is a fascinating, if somewhat sordid and tawdry, look at the internet porn industry, with 3 juicy roles for women, and one juicy hunk. ”
  • Bryan Stubbles:
    11 Oct. 2018
    “ I liked this play as an indictment of the misogynist system in which America finds itself. Hovanesian uses role reversal to good effect. There are some solid female parts in it. The play is about human dysfunction [no, not that kind] and the accumulation of bad choices. Definitely worth a read. ”

SUE, a woman in her 60s or 70s.
MARY, a woman in her 40s or 50s.
LUCY, a woman in her 20s or 30s
JAKE, a man in his 20s or 30s.
MAN'S VOICE, offstage, could be a recording.

Development History

  • Reading
    ,
    Playwrights' Platform
    ,
    2018