The Last Daughter

FULL-LENGTH PLAY. Finalist for the 2020 Jane Chambers Award for Excellence in Feminist Playwriting.

What if the last fertile woman on earth didn't want to have children? When Eve discovers she is the only known woman still able to conceive a child, she has no idea how radically her life is about to change. Immediately, Eve is put into a box - a literal, bulletproof, could-withstand-a-nuclear-blast-box - where...

FULL-LENGTH PLAY. Finalist for the 2020 Jane Chambers Award for Excellence in Feminist Playwriting.

What if the last fertile woman on earth didn't want to have children? When Eve discovers she is the only known woman still able to conceive a child, she has no idea how radically her life is about to change. Immediately, Eve is put into a box - a literal, bulletproof, could-withstand-a-nuclear-blast-box - where she is looked after by a vaguely charming (and terribly un-funny) doctor and spied on by an ever-present Very Important Person. Eve's ecstatic mother is on hand, with a parade of horrid would-be suitors, intent on impregnating the very last of the Last Daughters. In this environment, it's impossible for Eve to figure out if she actually wants to have children, not that anyone cares what she wants. But can Eve really look into the face of her barren sister, Elizabeth, and reject what her sister so desperately desires?

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The Last Daughter

Recommended by

  • Nick Malakhow: The Last Daughter

    THE LAST DAUGHTER is an excellent piece of darkly comedic sci-fi. Strayer gives us enough details about the world to understand the lay of the land while still focusing entirely on character and theme rather than getting bogged down in exposition. Eve is a compelling protagonist, and the two women surrounding her--Mother and Elizabeth--have potent motivations as well. The visual metaphors are powerful and direct, and Strayer explores reproductive freedom, bodily autonomy, gender roles, self-actualization, and systems that oppress women with complexity and nuance. I finished this briskly-moving...

    THE LAST DAUGHTER is an excellent piece of darkly comedic sci-fi. Strayer gives us enough details about the world to understand the lay of the land while still focusing entirely on character and theme rather than getting bogged down in exposition. Eve is a compelling protagonist, and the two women surrounding her--Mother and Elizabeth--have potent motivations as well. The visual metaphors are powerful and direct, and Strayer explores reproductive freedom, bodily autonomy, gender roles, self-actualization, and systems that oppress women with complexity and nuance. I finished this briskly-moving play in one entertaining sitting.

  • Vicki Meagher: The Last Daughter

    This is a surreal comedy about a woman who has The Most Valuable Reproductive System on Earth. It makes points about (non-surreal) life today, and has visual/theatrical elements that are compelling and entertaining. The relationship between the two sisters is sweet and tender, and they're both able to be creators--in their own separate ways.

    This is a surreal comedy about a woman who has The Most Valuable Reproductive System on Earth. It makes points about (non-surreal) life today, and has visual/theatrical elements that are compelling and entertaining. The relationship between the two sisters is sweet and tender, and they're both able to be creators--in their own separate ways.

  • John Bavoso: The Last Daughter

    Reminiscent of The Handmaid’s Tale, yet wholly its own story, THE LAST DAUGHTER is an original look at the struggle to find oneself and the pressures society thrusts upon us—and on women, in particular. Shot through with funny one-liners and beautiful quotes—as well as some truly wonderful dick jokes—Strayer has created a world full of flawed and interesting characters. Featuring some great roles for women—Eve, in particular, would be a joy to play, I’d imagine—this play would be one I’d love to see on its feet. Well worth a read!

    Reminiscent of The Handmaid’s Tale, yet wholly its own story, THE LAST DAUGHTER is an original look at the struggle to find oneself and the pressures society thrusts upon us—and on women, in particular. Shot through with funny one-liners and beautiful quotes—as well as some truly wonderful dick jokes—Strayer has created a world full of flawed and interesting characters. Featuring some great roles for women—Eve, in particular, would be a joy to play, I’d imagine—this play would be one I’d love to see on its feet. Well worth a read!

Character Information

In addition to the five actors, there are 3 VOICES and 3 REPORTERS, any combination of gender identities, all of which can be pre-recorded and never have to appear on stage in the flesh. For a low-tech production, VOICES, REPORTERS, and VIP can appear on stage in person. The VOICES and REPORTERS can be doubled or not at the director's discretion. There are also 2 ORDERLIES who have no lines and may function as stage crew and/or double as VOICES/REPORTERS.

The DOCTOR is described in detail on page 55. This description can be edited to describe the actor playing the DOCTOR. The DOCTOR also plays all the male characters who appear on stage in Eve's imagined interview sequence, but the descriptions of these men should remain as written.
  • Eve
    Eve is the last fertile woman on earth. She is sarcastic, strong, and also terrified. Eve loves her mother and sister but greatly resents the pressure they're putting on her. She is desperately seeking permission to be herself, but is keenly distraught by the idea of letting everyone down.
    Character Age
    18-39
    Character Gender Identity
    Female
  • Mother
    Eve's mother is fiercely intent on convincing Eve to have children, not only for the sake of the world, but because she truly believes it is in Eve's best interest. She loves her daughters, but can be insensitive to their needs and their feelings. She is incredulous when people can't see life the way she does.
    Character Age
    50-80
    Character Gender Identity
    Female
  • Elizabeth
    Elizabeth, or Liz, is Eve's barren sister. She desperately wants children and can't understand why Eve would throw away this opportunity. She loves her sister and was often a mother figure to her in their growing up years. She truly wants what is best for Eve, but is also hurt that she can't have what Eve has been given.
    Character Age
    20-42
    Character Gender Identity
    Female
  • Doctor
    The Doctor is Eve's guardian, caretaker, and jailer (of a sort). He's horrible at making jokes, but he's not too bad at making Eve feel at ease. He's a bit naive and single-minded, but he's also a good listener. Eventually, he develops an attraction to Eve, which opens the door to a lot of trouble. The Doctor also appears as several different characters in Eve's imagination as she tries to envision the men who are interviewing to be the father of her future children.
    Character Age
    25-45
    Character Gender Identity
    Male
  • VIP
    A Very Important Person who is bent on controlling Eve's reproductive choices, the VIP's only concern is what's best for the world at large (at least in her opinion). The VIP appears as a "talking head" on a large, overhead screen, and at the end, appears on a mobile device such as an iPad. She never appears in the flesh, but she does react to events in real-time, so I would not recommend pre-recording this character.
    Character Age
    30-80
    Character Gender Identity
    Female

Development History

Production History

Awards

  • Jane Chambers Excellence in Feminist Playwriting
    Association of Theatre for Higher Education
    Finalist
    2020