“ Brilliant historical fiction with a theatricality that owes much to Williams' voice and work. Dawkins' dialogue is full of acerbic wit/hilarity, hidden (and sometimes not so hidden) pain, and profound truths. His interpretation of Inge and Williams feels both mythical and intensely human. Dawkins examines several aspects of the gay male experience--shame, loneliness, fellowship, alienation, and constant searching--and seamlessly connects those historical realities and truths to queer culture today. I was particularly taken in by Bill's description of "feeling seen" after finally watching "The Glass Menagerie," and the profound conversations about the purpose and role of queer art. ”