In the End

*The Kilroy's List 2020*
*Equity Library Theatre’s 2019 All Access Reading Series Finalist*
*Athena Project Plays in Progress Semi-Finalist 2019*
*Downstage Left Residency Semi-Finalist 2019*

Emmy and Bridget continually cross paths during the worst of times. Both are on separate missions in a city where violence runs rampant. Emmy deviates from her usual routine of...
*The Kilroy's List 2020*
*Equity Library Theatre’s 2019 All Access Reading Series Finalist*
*Athena Project Plays in Progress Semi-Finalist 2019*
*Downstage Left Residency Semi-Finalist 2019*

Emmy and Bridget continually cross paths during the worst of times. Both are on separate missions in a city where violence runs rampant. Emmy deviates from her usual routine of comforting dying people to spend more time among the humans and to try to inspire them to get off of their predetermined course. Meanwhile, Bridget races the clock to find her missing sister, hoping she can still be brought home alive. In the End, tries to make sense of the senselessness of death and provide some small comfort to those who grieve the fallen.

*Seeking all Development Opportunities*

**New draft uploaded on 2/15/2021**
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In the End

Recommended by

  • Rachel Bublitz:
    10 Dec. 2021
    A thoughtful examination of thoughtless violence, grief, and loss. I appreciate the lack of violence staged, and how carful and yet unflinching Bohannon approaches the subject matter. Had me crying at my desk.
  • Steven Strafford:
    25 Oct. 2021
    A lovely and poetic rumination of grief. Using a "visitor from other world" framing, this piece examines so many rich and emotional subjects with grace. What easily could have been didactic, is very human. The piece has me thinking about the role of death in my life and the various forms of grieving I am always in the middle of. A lovely play.
  • Nick Malakhow:
    20 Jun. 2020
    A theatrical, poetic, beautiful piece that examines brutal, senseless violence and its root in fear, hatred, and toxic masculinity. "In the End" does all of this, however, with a great deal of subtlety and nuance that never once exploits images of violence to evoke pain, but rather focuses on the humanity of those killed and of those left after in its wake. The mystical, spiritual thread running through grounds the play in hope and wonder. The structural punctuation of Bridget's interactions with the audience are powerful and make the climactic scene between her and Emmy poignant and cathartic. Glorious!

Character Information

  • EMMY
    any age,
    Any Race (BIPOC preferred)
    ,
    woman
  • Faith/Reporter 1/Macy
    20-30,
    Any
    ,
    woman
  • Server/Jamie/Reporter 2
    20's,
    African American / Black
    ,
    Presents Male
  • Bridgette
    30's,
    Any
    ,
    woman
  • Sarah
    Early 40's,
    African American / Black
    ,
    woman

Development History

  • Reading
    ,
    New Match Collective
    ,
    2020
  • Reading
    ,
    The Newness: A Salon
    ,
    2019
  • Reading
    ,
    Equity Library Theatre
    ,
    2019
  • Workshop
    ,
    Women's Theatre Alliance of Chicago
    ,
    2019
  • Reading
    ,
    Naked Angels
    ,
    2018

Production History

  • University
    ,
    University of Central Missouri
    ,
    2021