The King's Plague (Rielle and the Owl Hunter - Part I)

NEW DRAFT - 3/21/24

MEDIEVAL DARK FANTASY ADVENTURE
FULL-LENGTH [In Development]: When an unknown illness places King Aymon upon his deathbed, the Princess Friede embarks on a journey west in search of an apothecary who might hold the knowledge needed to save his life. Along the way, she must enlist the assistance of a woman in the only profession older than nobility, an Owl Hunter, who...
NEW DRAFT - 3/21/24

MEDIEVAL DARK FANTASY ADVENTURE
FULL-LENGTH [In Development]: When an unknown illness places King Aymon upon his deathbed, the Princess Friede embarks on a journey west in search of an apothecary who might hold the knowledge needed to save his life. Along the way, she must enlist the assistance of a woman in the only profession older than nobility, an Owl Hunter, who puts others in their graves in exchange for coin.

Content Warning: Graphic violence, sexual content, false imprisonment.

(I am actively welcoming feedback at this time. If you have any thoughts you wish to share, please feel free to email me at danielprillaman@gmail.com)
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The King's Plague (Rielle and the Owl Hunter - Part I)

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  • Samantha Marchant:
    30 Mar. 2024
    This script is solid. I LOVE the use of the moon and sun characters, so theatrical. This story moves and I can't wait to see what happens next to these characters. The ending is totally satisfying to solidify this script as a complete night of theatre while at the same time laying the ground work for future parts. Fantasy on stage! Do it! With this play!
  • Greg Mandryk:
    29 Mar. 2024
    Wow! Fantasy isn't a genre that gets a lot of love in theatre these days. But Daniel Prillaman has a vision and any theatre willing to stage this (and its sequels) will earn my utmost respect. More likely, they'll keep producing musical versions of 80s and 90s flicks. But the inner D&D nerd in me hopes they'll come around and tell tales of knights and swashbucklers and kingdoms in peril. A fella can dream.

    Anyway, this is good stuff. You should give it a read.
  • Jillian Blevins:
    19 Feb. 2023
    Daniel Prillaman’s knack for writing genre is in full effect in this fantasy adventure. Set in a mideval world that’s familiar yet totally original, RATOH’s greatest asset is it’s dynamic use of language; at times evoking Shakespearean formality, at others colloquial directness, and, in his dreamlike personifications of the sun and moon, poetry. These linguistic shifts are pulling triple duty, telling us much about relationship and character arcs, as well as offering clues to the intricacies of this darkly fantastical world. In a departure from typical quest stories, complex female characters are front and center.

Character Information

  • King Aymon Ægenwulf
    King of Rivka.
  • Queen Winfrid
    Queen of Rivka.
  • Atticus
    Firstborn son of Aymon and Winfrid.
  • Lorenz
    Secondborn son of Aymon and Winfrid.
  • Friede
    Youngest child and only daughter of Aymon and Winfrid.
  • Sun
    A Sage.
  • Moon
    A Sage.
  • The Man Behind the Fence
    A man on the road.
  • Mærwynn
    An Owl Hunter.
  • Vermilla
    A common whore. (Portrayed by Sun.)
  • The Man in the Road
    A man in the road.
  • Othsryd
    A servant of the royal family. (Portrayed by Moon.)
  • Masked Figure
    Someone who wants to hide their identity.
  • Barnabas
    A facilitator of sorts.
  • Client
    A client of Vermilla.
  • Gideon
    A servant of Countess Ankaret.
  • Neerabosi
    A guest of Countess Ankaret. (Portrayed by Moon.)
  • Sigebert
    A guest of Countess Ankaret.
  • Countess Ankaret
    A wealthy widow. (Portrayed by Sun.)