THE GROOM'S A FAG; THE BRIDE'S A CUNT; THE BEST MAN'S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET
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Samantha Marchant:
7 Jun. 2021
“
I love the movement, rhythm and how it all builds. Little details like a cat named McRib and how how eyes are never brown or blue or green but moss or pollution or mud or sea or tar-- are wonderful. This would be a blast to direct and a thrill to see. Highly recommend. ”
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Cheryl Bear:
20 Aug. 2020
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As the wedding brings a world of things to the surface, we engage in an exploration of truth and identity that reveals a great deal about human nature. Theatrically strong, very fun and well done! ”
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Nick Malakhow:
25 Apr. 2020
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An absolute genre-bending blast that is so much more than the sum of its parts. I wholeheartedly love the theatrical world Walker establishes here that feels like satire, brutalism, horror, and magical realism had a love child. The piece explores identity, the challenges of living one's truth in heteronormative-patriarchal structures, trauma aftermath, and so many other issues and ideas using lyrical poetry, totally hilarious and profane pitch-black comedy, creative movement, and some strategically-timed gut punches throughout. I would love to see this realized onstage--it is absolutely a piece that is meant to be theatricalized. ”