THE GROOM'S A FAG; THE BRIDE'S A CUNT; THE BEST MAN'S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET

Daniel is pretty gay, but he’s marrying Nora. Nora is a virgin that wants her wedding-night to be a magical odyssey of sexual awakening. Shit gets fucked up at the Bachelor Party. Shit gets even more fucked up at the Bachelorette Party. And the wedding is the biggest shit-show of them all.

A song, a dance, an image, a poem all wrapped inside a sloppy-overstuffed burrito of a play about...
Daniel is pretty gay, but he’s marrying Nora. Nora is a virgin that wants her wedding-night to be a magical odyssey of sexual awakening. Shit gets fucked up at the Bachelor Party. Shit gets even more fucked up at the Bachelorette Party. And the wedding is the biggest shit-show of them all.

A song, a dance, an image, a poem all wrapped inside a sloppy-overstuffed burrito of a play about glamping, hookers, cocaine, ghosts from our past, Emma Stone, the Easter bunny, hauntings, and the horrors of commitment.
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THE GROOM'S A FAG; THE BRIDE'S A CUNT; THE BEST MAN'S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET

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  • Samantha Marchant:
    7 Jun. 2021
    I love the movement, rhythm and how it all builds. Little details like a cat named McRib and how how eyes are never brown or blue or green but moss or pollution or mud or sea or tar-- are wonderful. This would be a blast to direct and a thrill to see. Highly recommend.
  • Cheryl Bear:
    20 Aug. 2020
    As the wedding brings a world of things to the surface, we engage in an exploration of truth and identity that reveals a great deal about human nature. Theatrically strong, very fun and well done!
  • Nick Malakhow:
    25 Apr. 2020
    An absolute genre-bending blast that is so much more than the sum of its parts. I wholeheartedly love the theatrical world Walker establishes here that feels like satire, brutalism, horror, and magical realism had a love child. The piece explores identity, the challenges of living one's truth in heteronormative-patriarchal structures, trauma aftermath, and so many other issues and ideas using lyrical poetry, totally hilarious and profane pitch-black comedy, creative movement, and some strategically-timed gut punches throughout. I would love to see this realized onstage--it is absolutely a piece that is meant to be theatricalized.