Retcon, or Actually it's a Play About Ethics in Superhero Journalism
by Joe Zarrow
RETCON is a universe-hopping comedy about geek culture, race, and keeping your story straight. An unknown African-American actress wins the lead role in the movie debut of Chronometa, a beloved comic book heroine who first appeared in the 1940s. Nerdy traditionalists, led by a mysterious blogger, think their hero must stay absolutely true to the original comics and be played by a white performer. The...
RETCON is a universe-hopping comedy about geek culture, race, and keeping your story straight. An unknown African-American actress wins the lead role in the movie debut of Chronometa, a beloved comic book heroine who first appeared in the 1940s. Nerdy traditionalists, led by a mysterious blogger, think their hero must stay absolutely true to the original comics and be played by a white performer. The traditionalists pressure the studio to make some unsavory alterations to the screenplay. The actress, unhappy about this compromise, leaks the script to an idealistic young fan who publishes it on the internet. This escalates into a vicious campaign of trolling against the fan and the actress. This main plot is interwoven with the storyline of Chronometa herself, a superhero who grows with the decades. We also see the “origin stories” of the play’s real-life characters: the actress, the trolling blogger, the fan, the director, and the nebbishy continuity supervisor. The play ends on an optimistic note, jumping ten years into the future to see how comic books might continue to evolve.
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