“ A taut, well-structured, ready-to-produce play that organically unfolds in real time. The silences and transitions never feel contrived, and Gotch uses dialogue exquisitely as both a vehicle for characterization and as a driving force for his deliberately paced plot. Revelations and surprises come at perfectly-timed intervals, and each character is fully rendered and impressively captured. The end is appropriately chilling and a moment where you look back at the rest of the play and say "of course it was all leading up to this." A robust exploration of guns and toxic masculinity that never feels obvious or preachy. ”