Armed only with her dreams of making the world a better place and six weeks of training, Kay Josephs quits her corporate job to teach English in an urban high school. She wakes up to harsh realities: the copy machine is broken, the system is broken, and the spirits of her fellow teachers are broken. Or are they? A dark comedy of academic intrigue.
"One of the best new plays of the year......
Armed only with her dreams of making the world a better place and six weeks of training, Kay Josephs quits her corporate job to teach English in an urban high school. She wakes up to harsh realities: the copy machine is broken, the system is broken, and the spirits of her fellow teachers are broken. Or are they? A dark comedy of academic intrigue.
"One of the best new plays of the year...There are very few excellent plays about public education. This is one." - Chris Jones, Chicago Tribune
"★★★★ This clear-eyed glimpse into the teachers' lounge makes hearty laughs part of an all too relevant lesson plan." - Kris Vire, Time Out Chicago
"Former public school teacher Joe Zarrow achieves something remarkable...an entertaining play about education that re-creates all the quirks and craziness of modern education without lapsing into either cynical hopelessness or Hollywood-style superteacher fantasies. His dialogue feels authentic, and his characters are flawed but likable human beings, not mouthpieces for this or that ideology." - Jack Helbig, Chicago Reader
"Engaging, intelligent, and important. Highly recommended." - Peter Thomas Ricci, Chicago Theater Review
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Principal Principle
Recommended by
Cheryl Bear:
29 Jul. 2021
“
How do you cope when you see the seemingly broken spirits of those who want to change the world? Can you make the world a better place when the system is broken? Insightful and well done. ”
Jerry Polner:
2 Dec. 2020
“
Principal Principle beautifully dramatizes the tedium, the teacher burn-out, and the high-stakes testing built into our city high schools. Every inch is funny, truthful, and heartbreaking. A great read! ”
Steven Strafford:
3 Aug. 2020
“
To keep things so funny and on-point, it's to be admired. Loved this play!! ”
Seven-year veteran English teacher. Acerbic, flirty, slightly manic. A fighter.
Can be played by:
Age:
30s
Race/Ethnicity:
Black, African, Caribbean, or African American
Gender:
Female
Ola Lawrence
35-45,
African American
,
Female Identifying or Non-Binary
Head of the English department. Nervous, diplomatic. A peacemaker.
Can be played by:
Age:
30s, 40s
Race/Ethnicity:
Black, African, Caribbean, or African American
Gender:
Female, Non-binary
Denise Corey
55-65,
White
,
Female
33-year veteran English teacher. Proudly crusty. Close to retiring but energetic in her way.
Can be played by:
Age:
50s, 60s
Race/Ethnicity:
White
Gender:
Female
Ms Banerjee
35-50,
South- or East-Asian-American
,
Female
The principal. Driven. Businesslike. No-nonsense. Note: this role could also be played by an actor of East-Asian descent, changing her last name from BANERJEE to WEI. The principal stands a bit outside the black-white racial dichotomy woven through much of the rest of the play.
Can be played by:
Age:
30s, 40s, 50s
Race/Ethnicity:
Asian, Pacific Islander, or Asian American, South Asian or South Asian American