“ An unsettling and compellingly theatrical piece that examines the ways violence is rooted in fear. The relationship between Lydia and Boy is a chilling nucleus that the play revolves around, and Marshall and Trey provide an interesting counterpoint. Character revelations about Trey juxtaposed to Boy illuminate different models of dysfunctional masculinity in intriguing ways. Bentley-Quinn's naturalistic/lyrical language is elegant and spare and gives a parable-like quality to the piece. Would be compelling to see these stage images come together live and in person! ”