Ian Thal:
30 Apr. 2018
“
It would be easy for a full-length play composed of vignettes, beginning and ending much the same way, with commuters boarding and exiting a train, to seem repetitive, but Willis stretches the format as far as it can go, embracing every genre. One of the play's strengths is just how assertively hyper-local it is to the D.C. metropolitan area -- there is no attempt to make it a generic "Big City™" -- but any rider of public transit in any city will relate.
I reviewed Pinky Swear Production's 2018 staging:
https://dcmetrotheaterarts.com/2018/04/15/review-use-all-available-doors-by-pinky-swear-productions-at-dupont-underground/ ”
I reviewed Pinky Swear Production's 2018 staging:
https://dcmetrotheaterarts.com/2018/04/15/review-use-all-available-doors-by-pinky-swear-productions-at-dupont-underground/ ”