TOGETHER WE ARE MAKING A POEM IN HONOR OF LIFE

A mother and father navigate a series of support group meetings for grieving parents over the course of many nights.

Told in a fragmented storytelling style, this play follows them – both individually and together – as they struggle to remember what they’ve lost. But as they come closer to comprehending the tragic event that took their child, they find it more and more difficult to connect with...
A mother and father navigate a series of support group meetings for grieving parents over the course of many nights.

Told in a fragmented storytelling style, this play follows them – both individually and together – as they struggle to remember what they’ve lost. But as they come closer to comprehending the tragic event that took their child, they find it more and more difficult to connect with each other. This intimate, language-driven, two-hander explores what it means to be a parent in the face of unimaginable loss.

This play combines traditional dramatic elements with inventive language and a more challenging structure. I have tried to use the form - fragmented storytelling, jumps in time, quick changes in emotional tone - to evoke the feelings of grief from the inside. We don't always see linear progress, we have good days and bad days, but through it all there is life that keeps going. This becomes a challenge for the actors and the audience to catch up with the moment, but it's not about being lost - I believe that the point is we use the words we have at the time, and somehow a private healing occurs, even in a public space.

More info: http://www.deanpoynor.com/TWAMAPIHOL.html
  • Recommend
  • Download
  • Save to Reading List

TOGETHER WE ARE MAKING A POEM IN HONOR OF LIFE

Recommended by

  • Jordan Elizabeth Henry:
    7 Apr. 2018
    Musical and poetic, the beauty of the language of this play is like oxygen:the rhythms and lyricism keep us alive as Poynor helps us through this horror. This play is an essential voice in the national conversation about gun reform and gun violence in schools -- it at once celebrates life and hope while staring the national demon of gun violence in the face. I love the idea of staging this play in an immersive setting -- because this story is deeply personal and specific, but it is also, horrifyingly, a corporate experience. An Important piece of theatre.
  • Heather Helinsky:
    3 Apr. 2018
    As the current national conversations about school shootings have continued with the #NeverAgain/March for Our Lives movement, this poetic play is a must-read. I came to this piece first as a dramaturg for Great Plains Theatre Conference, written in response to the Sandy Hook shooting. It's an intimate play that asks great questions about the tragedy that parents should never have to face.

Development History

  • Reading
    ,
    Great Plains Theatre Conference
    ,
    2014
  • Workshop
    ,
    Nashville Repertory Theatre / Ingram New Works Lab
    ,
    2014
  • Workshop
    ,
    Bookshop Workshops
    ,
    2014
  • Reading
    ,
    Dramatists Guild
    ,
    2013

Production History

  • Workshop
    ,
    NiA
    ,
    2017
  • Workshop
    ,
    Visconti Productions (NYC)
    ,
    2016
  • Workshop
    ,
    Bookshop Workshops
    ,
    2015