CAST OF CHARACTERS (10-29 actors. 5-26 F, 3-24 M, 20 possible gender non specific.)
ROBIN/MARIAN --female
ALANNA DALE – female
THE SHERIFF OF NOTTINGHAM –male
LITTLE JOHN – male, large
LADY SHIRLEY—female
PRINCE JOHN – male
TANNER—any gender (Can be doubled by actor who plays THEO or LUCY)
WILL SCARLET –female (played as male)
MUCH THE MILLER’S SON – nonbinary (can be played by female, male transgender, genderqueer or nonbinary individual)
FRIAR TUCK – male (in smaller cast, can be played by the same actor who plays the Sheriff.)
TOMMY OF NO CONSEQUENCE -- played as male by any gender
SIR THEO THE PUNCTUAL –played as male by any gender
SIR LENNY THE OBSERVANT -- played as male by any gender
LUCY –played as female (can be doubled as SIR LENNY or a GUARD)
GUARDS (as many or as few as you like—up to 15 speaking parts.)-- played as male by any gender. In a smaller cast, GUARD 1 and GUARD 2 are played by THEO and LENNY. In a larger cast, each time GUARD 1 and 2 appear, can be played by different actors. The actor who plays TOMMY can play a guard towards the end too. The actor who plays SHIRLEY as well.
NOTE: All parts are race non specific. Robin Hood/Marian need not be white. When women are playing men, fake moustaches and beards are probably a good idea. Try very hard to have a diverse cast. Almost 40 percent of the US is nonwhite. Can at least 40 percent of your cast be? It would also be very helpful to have transgender, genderqueer, or ninbinary people involved in the production. Preferably more than one. The designations of female and male above can be used more as a guideline in the casting of this play. It would be great if Much was cast with a transgender, genderqueer or nonbinary actor but there are other parts that might be cast that way too. (Language about gender is changing fast. Please pretend I’m using the most respectful version that is currently in use.)
SETTING:
England. Nottingham, Sherwood Forest. There is a modern American bent to the play in terms of the themes and concerns of the characters. To that end, the English accents need not be particularly good. Designwise, it may want to feel old however, to make the contrast all the clearer.
Settings can be very simply implied. Keep it spare, flexible. Maybe this play should be done in a park or in the woods or in a castle.
TIME:
During the Third Crusade. The 1190s.