Dear ONE: Love & Longing in Mid-Century Queer America

Dear ONE: Love & Longing in Mid-Century Queer America, by Joshua Irving Gershick, illuminates the lives of ordinary Queer Americans as recounted through letters written between 1953 and 1965, to L.A.’s ONE Magazine, the first openly gay & lesbian periodical in the United States.
Each month, ONE Magazine reached several thousand readers, a great many of them isolated and in search of community. In larger cities...

Dear ONE: Love & Longing in Mid-Century Queer America, by Joshua Irving Gershick, illuminates the lives of ordinary Queer Americans as recounted through letters written between 1953 and 1965, to L.A.’s ONE Magazine, the first openly gay & lesbian periodical in the United States.
Each month, ONE Magazine reached several thousand readers, a great many of them isolated and in search of community. In larger cities, the magazine was available on newsstands; in smaller towns, it arrived in mailboxes in a simple unmarked envelope. Readers from all over the globe wrote back to ONE. Looking for love, friendship or understanding, they wrote of loneliness and longing, of joy and fulfillment, and of their daily lives, hidden from history.
The play is adapted from material from the ONE National Gay & Lesbian Archives at the USC Libraries.
Dear ONE features the voices of more than 40 distinct, mid-century Queer people – real people who tell us first-hand about their lives. The correspondents – whose original letters I've crafted into monologues – come from nearly every walk of life, from every part of the country and abroad.
Popular accounts place the start of the LGBTQ movement in 1969, with the Stonewall Riots in New York City. In truth, the first documented LGBTQ civil rights demonstrations in the U.S. were held in May 1959, at L.A.’s Cooper’s Do-Nuts, in which gender-nonconforming folx and sex workers resisted police harassment; in August 1966, at San Francisco’s Compton’s Cafeteria, when police attempted to roust transgender patrons; and on Feb. 11, 1967, at the Black Cat café in Los Angeles, in response to a police raid. But Dear ONE suggests something else again – that the queer liberation movement – an awareness of community coupled with a galvanizing call to action – began long before, as many of its letters underscore. And ONE Magazine – whose mission was to “help homosexuals to understand themselves”– was there.

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Dear ONE: Love & Longing in Mid-Century Queer America

Recommended by

  • Lennox Soderberg: Dear ONE: Love & Longing in Mid-Century Queer America

    I've seen several iterations of this script and have loved it each time. The playwright mines these archived letters for their gems. I left each performance wanting to know the characters, wanting to have coffee with them, wanting to hear more of their stories. This is rarely true of characters in a play.

    I've seen several iterations of this script and have loved it each time. The playwright mines these archived letters for their gems. I left each performance wanting to know the characters, wanting to have coffee with them, wanting to hear more of their stories. This is rarely true of characters in a play.

  • Jennie Webb: Dear ONE: Love & Longing in Mid-Century Queer America

    This is the kind of play that sneaks up on you - in its simplicity, its honesty and its often unexpected humor - and ultimately hits you where it counts. The playwright manages to create such a compelling narrative through real-life letters, drawing pictures of specific people and places while a much bigger story unfolds. A story that belongs onstage.

    This is the kind of play that sneaks up on you - in its simplicity, its honesty and its often unexpected humor - and ultimately hits you where it counts. The playwright manages to create such a compelling narrative through real-life letters, drawing pictures of specific people and places while a much bigger story unfolds. A story that belongs onstage.

  • Paige Borak: Dear ONE: Love & Longing in Mid-Century Queer America

    I cried FIVE times while reading this piece. The words are those of each letter writer, but the placement of each letter is amazingly impactful as well. All together it is a beautiful picture of the fear, hope, joy, and love in the queer community in the 1950s and 1960s.

    I cried FIVE times while reading this piece. The words are those of each letter writer, but the placement of each letter is amazingly impactful as well. All together it is a beautiful picture of the fear, hope, joy, and love in the queer community in the 1950s and 1960s.

The characters in this play are more than 40 distinct, mid-century Queer people, chiefly letter writers to ONE Magazine. They represent various races, orientations, genders, professions and creeds all played by 4-5 actors.
In readings and performances, I have intentionally cast a diverse group of actors with respect to race, age, gender expression, gender identity, sexual orientation, ability and body type. Further, I frequently have assigned each actor letters against type. This challenges the audience on various levels, simultaneously smashing multiple stereotypes in terms of presentation, expectation and perception.
A single actor performs the Editor.

Development History

  • Type Reading, Organization The Noise Now Reading Series, A Noise Within, Pasadena, Year 2019
  • Type Reading, Organization West Hollywood One City/One Pride LGBTQ Arts Festival, Season Finale, Year 2015
  • Type Reading, Organization The Los Angeles Library Foundation's ALOUD Series, Taper Auditorium, Year 2014
  • Type Reading, Organization The Los Angeles Times Festival of Books, USC Trojan Mainstage, Year 2013
  • Type Commission, Organization The ONE National Gay & Lesbian Archives at USC, Year 2012
  • Type Reading, Organization The ONE National Gay & Lesbian Archives' 60th Anniversary Celebration, Year 2012

Production History

  • Type High School, Organization Diversionary Theatre’s D-Tours , Year 2022
  • Type High School, Organization Diversionary Theatre's Teen-Versionary LGBTQ+Allied Ensemble, San Diego, Calif., Year 2021
  • Type Professional, Organization 4th U Artivists, NYC - A Benefit for the Audre Lorde Project, Year 2021
  • Type Professional, Organization AmeriQueer Audio Play Series, Featuring George Takei, Diversionary Theatre, San Diego, Year 2020
  • Type Professional, Organization Benefit Performance Featuring George Takei, Honoring the ONE Archives Foundation, Zoom, Year 2020

Awards

  • Best Audio-Cast Project
    San Diego Union Tribune
    Winner
    2020