BROKE/FIX

by Gina Femia

In the midst of a fight at midnight, Joan and Jessi find an angel who needs a little help.

In the midst of a fight at midnight, Joan and Jessi find an angel who needs a little help.

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BROKE/FIX

Recommended by

  • Steven G. Martin: BROKE/FIX

    This ten-minute dramatic fantasy is a feel-good play.

    "Broke/Fix" shows that people at horrible odds with one another still can come together when someone else is desperately in need of compassion. Joan and Jessi, Gina Femia's protagonists, can't communicate with one another while focusing on their own problems. But I love that they show their humanity in the presence of someone else in need. And by doing so, there is promise in their own re-connection.

    "Broke/Fix"'s fantastic story, characters, and underlying emotions would appeal to audiences and theatre makers alike.

    This ten-minute dramatic fantasy is a feel-good play.

    "Broke/Fix" shows that people at horrible odds with one another still can come together when someone else is desperately in need of compassion. Joan and Jessi, Gina Femia's protagonists, can't communicate with one another while focusing on their own problems. But I love that they show their humanity in the presence of someone else in need. And by doing so, there is promise in their own re-connection.

    "Broke/Fix"'s fantastic story, characters, and underlying emotions would appeal to audiences and theatre makers alike.

  • Steven Hayet: BROKE/FIX

    I've read this play a couple times and each time I discover something new. It's dark, funny, disturbing, and incredibly real. Femia is a fantastic writer and in BROKE/FIX has created three authentic characters that would be a joy for any actress to portray. Read-this-play-and-produce-this-play!

    I've read this play a couple times and each time I discover something new. It's dark, funny, disturbing, and incredibly real. Femia is a fantastic writer and in BROKE/FIX has created three authentic characters that would be a joy for any actress to portray. Read-this-play-and-produce-this-play!

  • Rachel Bublitz: BROKE/FIX

    This play pulls in so many direction, and I love it. It's disturbing, disgusting, and delightful all at the same time. Not only does Femia leave a ton for actors to dig into, but she gives tremendous opportunity to designers and the director as well.

    This play pulls in so many direction, and I love it. It's disturbing, disgusting, and delightful all at the same time. Not only does Femia leave a ton for actors to dig into, but she gives tremendous opportunity to designers and the director as well.

View all 5 recommendations

Development History

  • Type Reading, Organization Dioynisian, Year 2017
  • Type Reading, Organization Barefoot Theatre Company, Year 2017

Production History

  • Type Professional, Organization Pipeline Theatre Company, Year 2016