Showtime Blues

Trapped on a stalled train, Ameira and Demetrius grapple with the realities of life as a moving target.

Trapped on a stalled train, Ameira and Demetrius grapple with the realities of life as a moving target.

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Showtime Blues

Recommended by

  • Claudia Haas: Showtime Blues

    “We’re all moving targets” and they are. But when they stay still a lot of hold-your-breath engagement happens. There are truths. Dances. Movement together and away. Riveting and moving, Benson takes you through an unforgettable subway ride that will make you think hard about assumptions.

    “We’re all moving targets” and they are. But when they stay still a lot of hold-your-breath engagement happens. There are truths. Dances. Movement together and away. Riveting and moving, Benson takes you through an unforgettable subway ride that will make you think hard about assumptions.

  • Jordan Bird: Showtime Blues

    An absolutely gorgeous one act play about joy, living, breathing, and the judgments we make about each other. I love to see what happens when characters get trapped together, and what happens between Ameira and Demetrius is moving and romantic.

    An absolutely gorgeous one act play about joy, living, breathing, and the judgments we make about each other. I love to see what happens when characters get trapped together, and what happens between Ameira and Demetrius is moving and romantic.

  • Tracy Held: Showtime Blues

    "Showtime Blues" is a relatable piece with engaging characters who share an experience and conversation that is particularly relevant today. The play starts with a joyful energy, abruptly bumps into a racially-charged incident, and then expands outward into reflections of larger society. "We might be moving targets, but don’t mean we can’t be still," is a powerful line that speaks to the choices that people can make about how they live their lives amidst oppression.

    "Showtime Blues" is a relatable piece with engaging characters who share an experience and conversation that is particularly relevant today. The play starts with a joyful energy, abruptly bumps into a racially-charged incident, and then expands outward into reflections of larger society. "We might be moving targets, but don’t mean we can’t be still," is a powerful line that speaks to the choices that people can make about how they live their lives amidst oppression.

Demetrius and his crew must be able to dance

Production History

  • Type Professional, Organization Ensemble Studio Theatre, NYC, Year 2017