An astonishing play. In rhythmic cadences evocative of heartbeats, dripping water, tides, three characters endure a slow-motion apocalypse and the human need—and fear—of being known.
FF is about gender, and also transcends it. Tay, Jamerson’s nonbinary protagonist, speaks the play’s themes most directly: about their desire to exist outside of their body, and feeling most themself when not being perceived. Yet all three characters buck against the outside world’s attempts to define them, and posses a universally relatable desire to be embraced in all their contradictions, pleading “stop...
An astonishing play. In rhythmic cadences evocative of heartbeats, dripping water, tides, three characters endure a slow-motion apocalypse and the human need—and fear—of being known.
FF is about gender, and also transcends it. Tay, Jamerson’s nonbinary protagonist, speaks the play’s themes most directly: about their desire to exist outside of their body, and feeling most themself when not being perceived. Yet all three characters buck against the outside world’s attempts to define them, and posses a universally relatable desire to be embraced in all their contradictions, pleading “stop telling me I don’t exist”.