I would call this a comparatively simple play, with its tight focus on two-person scenes, if not for the rich depth of emotion mined throughout, and the bristling potential of planetarium visuals throughout the work. What stands out most is that the spectacle within the play is constant, but never the focus, until it dramatically is. At heart, a tender tale of love and grief, anchored by three excellent roles.

One of the standouts from Shotgun Players in Berkeley. Still think about this all the time after seeing it five plus years ago.

This play is achingly beautiful.