Recommendations of BLACK GOLD

  • Cheryl Bear: BLACK GOLD

    A riveting look at what happens when you're able to tap into the resource of wealth that leads to a mind-blowing release of events and emotions. Fantastic!

    A riveting look at what happens when you're able to tap into the resource of wealth that leads to a mind-blowing release of events and emotions. Fantastic!

  • David Robson: BLACK GOLD

    This is a funny, whip-smart play that I saw at InterAct in 2008. The themes couldn't be more topical, with the haves and have-nots clashing and the many characters struggling mightily to have their way(s). The satire is razor-sharp and insightful. Laugh and think. Produce this play.

    This is a funny, whip-smart play that I saw at InterAct in 2008. The themes couldn't be more topical, with the haves and have-nots clashing and the many characters struggling mightily to have their way(s). The satire is razor-sharp and insightful. Laugh and think. Produce this play.

  • Liam Castellan: BLACK GOLD

    Great fun. Fast-paced theatricality. The satire zips along like a stone skipping across a lake, but the ripples remain to tickle your brain about the issues Rozin throws into the mix.

    Great fun. Fast-paced theatricality. The satire zips along like a stone skipping across a lake, but the ripples remain to tickle your brain about the issues Rozin throws into the mix.

  • Jim Knable: BLACK GOLD

    I am giddy and energized after having had this play virtually read itself to me. Yes, it's swift and Swiftian, but it's also a play that dares to be about EVERYTHING going on that anybody is talking about right now without being preachy or simplistic. I giggled and gasped at its audacity and daring. No punches are pulled and all punches are landed. Except for the Osama bin Laden reference--which could still weirdly work in the universe of the play-- it feels like it was written last week and addresses what's going to happen next week. I'm inspired by it.

    I am giddy and energized after having had this play virtually read itself to me. Yes, it's swift and Swiftian, but it's also a play that dares to be about EVERYTHING going on that anybody is talking about right now without being preachy or simplistic. I giggled and gasped at its audacity and daring. No punches are pulled and all punches are landed. Except for the Osama bin Laden reference--which could still weirdly work in the universe of the play-- it feels like it was written last week and addresses what's going to happen next week. I'm inspired by it.