I wouldn’t call this a tribute to Brecht’s epic theater, I would call this the real-thing. The hugely ambitious premise of utilizing the Epic Theatre to dramatize a school shooting sounds impossible, yet somehow through placards, songs, alienation, multiple story lines, and tests of moral complexity, Downs manages to embody every facet of Brecht’s artistic vision. Both humorous and tragic, I found myself gasping and laughing during the absurdity that plays out at break-neck speed. The German theorist would be proud, and, I’m guessing, a little envious of Downs’ mastery.
I wouldn’t call this a tribute to Brecht’s epic theater, I would call this the real-thing. The hugely ambitious premise of utilizing the Epic Theatre to dramatize a school shooting sounds impossible, yet somehow through placards, songs, alienation, multiple story lines, and tests of moral complexity, Downs manages to embody every facet of Brecht’s artistic vision. Both humorous and tragic, I found myself gasping and laughing during the absurdity that plays out at break-neck speed. The German theorist would be proud, and, I’m guessing, a little envious of Downs’ mastery.