Chagrin Falls

by Mia McCullough

To live in Chagrin Falls, Oklahoma is to be in the killing business. The town’s major employers are a cattle slaughterhouse and a penitentiary where lethal injection is administered. Whether they work at the slaughterhouse, or play preacher or guard to death row inmates, or merely offer a bed and a hot meal to those visiting the prison, each resident of Chagrin Falls makes their living off of death and...

To live in Chagrin Falls, Oklahoma is to be in the killing business. The town’s major employers are a cattle slaughterhouse and a penitentiary where lethal injection is administered. Whether they work at the slaughterhouse, or play preacher or guard to death row inmates, or merely offer a bed and a hot meal to those visiting the prison, each resident of Chagrin Falls makes their living off of death and captivity.

A week prior to a particular execution, an Asian-American graduate student comes to town — purportedly to do a story on a man who is scheduled to die. As this would-be journalist interviews a cross-section of the population she finds her subjects revealing far more than their opinions on capital punishment. She is repelled by the recently-retired slaughterhouse employee’s morbid humor and his strangely intense interest in her background. She is seduced by one prison guard’s painful tale of sacrifice, and is comforted by the naivete and kindness of another. Though she never gets what she came for, when she witnesses the execution she becomes one of them: a participant in the killing, an honorary resident of Chagrin Falls.

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Chagrin Falls

Recommended by

  • Conor McShane: Chagrin Falls

    A subtle and moving look at life in a town whose principal industry is death, populated with distinct and memorable characters. McCullough's play doesn't offer any easy resolutions, but shows that life goes on even amid the gloom. A lovely and sensitively rendered work.

    A subtle and moving look at life in a town whose principal industry is death, populated with distinct and memorable characters. McCullough's play doesn't offer any easy resolutions, but shows that life goes on even amid the gloom. A lovely and sensitively rendered work.

  • Doug DeVita: Chagrin Falls

    Mia McCullough’s unflinching look into the grisly world of corporatized death is at once clinically detached and deeply affecting; managing to find a semblance of humanity in a somewhat inhumane subject matter, her vividly natural dialogue and deceptively complex characters give the play a compelling edge that drives the narrative forward, making it a page turner if you’re reading it, and – I imagine – keeps you on the edge of your seat listening to every word if you’re watching it. And damn, I would love to be in the audience one day.

    Mia McCullough’s unflinching look into the grisly world of corporatized death is at once clinically detached and deeply affecting; managing to find a semblance of humanity in a somewhat inhumane subject matter, her vividly natural dialogue and deceptively complex characters give the play a compelling edge that drives the narrative forward, making it a page turner if you’re reading it, and – I imagine – keeps you on the edge of your seat listening to every word if you’re watching it. And damn, I would love to be in the audience one day.

  • Cheryl Bear: Chagrin Falls

    A powerful look at capital punishment and the inner workings of the execution process. Well done.

    A powerful look at capital punishment and the inner workings of the execution process. Well done.

View all 4 recommendations

Production History

  • Type Professional, Organization The Agency Theater Collective, Year 2016
  • Type Professional, Organization Cincinnati Shakespeare Festival (now Cincinnati Shakespeare Company), Year 2002
  • Type Professional, Organization Stage Left Theatre, Year 2001

Awards

  • Best Production
    Cincinnati Entertainment Awards
    Winner
    2002
  • After Dark Award, Best New Work
    Winner
    2002
  • Julie Harris Playwriting Award
    Winner
    2001
  • Steinberg Award
    American Theatre Critics Association
    Finalist
    2001
  • M. Elizabeth Osborn Award
    American Theatre Critics Association
    Winner
    2001
  • Joseph Jefferson Award for Best New Work
    Winner
    2002