Whenever I discuss the value of rhythm and pacing to a script, I point to Peerless. In these characters’ voices, Jiehae Park’s poetic dialogue style morphs effortlessly between stream-of-consciousness panic; rollicking, bitingly funny back-and-forths; shy, halting awkwardness; and hypnotic psychological manipulation. The stage directions — always open-ended, frequently magical — present directors, actors, and designers alike with an invitation to explore the wild limits of their crafts. The First Floor Theatre production rose to this challenge fabulously.
Whenever I discuss the value of rhythm and pacing to a script, I point to Peerless. In these characters’ voices, Jiehae Park’s poetic dialogue style morphs effortlessly between stream-of-consciousness panic; rollicking, bitingly funny back-and-forths; shy, halting awkwardness; and hypnotic psychological manipulation. The stage directions — always open-ended, frequently magical — present directors, actors, and designers alike with an invitation to explore the wild limits of their crafts. The First Floor Theatre production rose to this challenge fabulously.