This play has been on my mind for almost five years now. Thought-provoking, expertly written, and thoroughly researched, O'Grady's exploration of genius in the midst of familial trappings is spellbinding. I will champion this play forever.

Jennifer O’Grady delivers a beautifully rendered glimpse into the lives of extraordinary people. I love imagining the day to day lives of famous influential figures, but in this piece, Jennifer gives us a world so defined that imagination is not necessary. I felt like a ghost watching from the corners of the Brontë sisters’ lives. “All feelings are good” struck me as I realized how O’Grady conducts the full orchestra of my emotions in a perfect symphony.

Replete with historical dues and literary context, CHARLOTTE'S LETTERS is another fine component in Jennifer O'Grady's canon of artists-at-work during significant moments in their lives. (See: JUGGLING WITH MR. FIELDS) It was certainly delightful learning about the women behind so many important works of Western prose and their formidable years, but there is plenty of entertainment and drama in the sections involving Mrs. Gaskell and Meta, and how they work on framing the Brontë sisters. The language, the dialogue is simultaneously appropriate, rhapsodic, and accessible. The second half reaches a layer of dream-upon-dream that renders the play into resplendent heights.