Anon, or: How I Learned to Stop Worrying and Love the Lycanthropy

by Robert Montenegro

Old wounds emerge when Jayson attends his first Werewolves Anonymous meeting. New wounds follow. 11 pages, plays about 15 minutes.

Old wounds emerge when Jayson attends his first Werewolves Anonymous meeting. New wounds follow. 11 pages, plays about 15 minutes.

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Anon, or: How I Learned to Stop Worrying and Love the Lycanthropy

Recommended by

  • Paul Vintner: Anon, or: How I Learned to Stop Worrying and Love the Lycanthropy

    There is such beauty and fantasy to this piece. Touches upon many social issues without being overt using creatures traditionally relegated to the horror genre in a surprisingly sympathetic way. Once you think you know where it’s going, the tables are turned and then turned again. Bloody brilliant!

    There is such beauty and fantasy to this piece. Touches upon many social issues without being overt using creatures traditionally relegated to the horror genre in a surprisingly sympathetic way. Once you think you know where it’s going, the tables are turned and then turned again. Bloody brilliant!

  • Amanda Zeitler: Anon, or: How I Learned to Stop Worrying and Love the Lycanthropy

    What a twist! New and interesting and different. Very compelling characters!

    What a twist! New and interesting and different. Very compelling characters!

Development History

  • Type Commission, Organization Rorschach Theatre, Year 2014

Production History

  • Type Professional, Organization Rorschach Theatre, Year 2014