A lurid chapter in the recent history of the Mormon Church is dramatized in playwright-director Charles Morey’s gripping new true-crime drama. At once a police procedural and a rumination on institutional and personal ego, the drama bubbles with theatricality as it tells the story of a notorious member of The Church of Jesus Christ of Latter-day Saints who forged documents in the 1980s and pulled the church into a swirl of crimes — including murder by pipe bomb. It’s the stuff of great drama, a fascinating story of fraud, forgery, greed, murder and faith.
A lurid chapter in the recent history of the Mormon Church is dramatized in playwright-director Charles Morey’s gripping new true-crime drama. At once a police procedural and a rumination on institutional and personal ego, the drama bubbles with theatricality as it tells the story of a notorious member of The Church of Jesus Christ of Latter-day Saints who forged documents in the 1980s and pulled the church into a swirl of crimes — including murder by pipe bomb. It’s the stuff of great drama, a fascinating story of fraud, forgery, greed, murder and faith.