The Hampton Years

by Jacqueline E. Lawton

The Hampton Years explores the relationship between art professor Viktor Lowenfeld and his students, John Biggers and Samella Lewis. Lowenfeld joined the Hampton Institute in Virginia in 1939 as assistant professor of Industrial Arts and studio art teacher. Burgeoning artist John Biggers, who went on to become an internationally acclaimed painter, sculptor, teacher and philosopher, was his student. As was...

The Hampton Years explores the relationship between art professor Viktor Lowenfeld and his students, John Biggers and Samella Lewis. Lowenfeld joined the Hampton Institute in Virginia in 1939 as assistant professor of Industrial Arts and studio art teacher. Burgeoning artist John Biggers, who went on to become an internationally acclaimed painter, sculptor, teacher and philosopher, was his student. As was Samella Lewis, artist, printmaker and educator, with whom Lowenfeld had a contentious, but respectful relationship. The Hampton Years examines the impact of World War II on Jewish refugees living in the United States and their role in shaping the lives and careers of African American students in the segregated south.

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The Hampton Years

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  • Sheila Rinear: The Hampton Years

    Even though addressing racism in the 1940s, this is a script for right now! Lawton paints a verbal mural of Black Artists’ struggle to bring their art and their ancestral culture into a predominantly racist society. Lines such as: "One day, if we’re lucky, our work will transcend race" made clear Black Artists still have not yet been given enough respectful encouragement to create their truth in their art. Lawton packs a bounty of determined power in the hearts of John Biggers and Samella Sanders Lewis, the artists she champions in this play of amazing perspective. Brava!

    Even though addressing racism in the 1940s, this is a script for right now! Lawton paints a verbal mural of Black Artists’ struggle to bring their art and their ancestral culture into a predominantly racist society. Lines such as: "One day, if we’re lucky, our work will transcend race" made clear Black Artists still have not yet been given enough respectful encouragement to create their truth in their art. Lawton packs a bounty of determined power in the hearts of John Biggers and Samella Sanders Lewis, the artists she champions in this play of amazing perspective. Brava!

  • Jennifer Kokai: The Hampton Years

    We were fortunate to do a reading of this at Weber State University a few years ago. This is a beautiful play that vividly brings to life important history about the fraught relationship between academic institutions, the well meaning missions they claim, the compromises they make that undermine those claims, and the many ways that institutions can and should learn from their students and faculty. I highly recommend all theatres, but perhaps especially academic institutions right now, read and produce this play.

    We were fortunate to do a reading of this at Weber State University a few years ago. This is a beautiful play that vividly brings to life important history about the fraught relationship between academic institutions, the well meaning missions they claim, the compromises they make that undermine those claims, and the many ways that institutions can and should learn from their students and faculty. I highly recommend all theatres, but perhaps especially academic institutions right now, read and produce this play.

  • Lisa Hardt: The Hampton Years

    I saw this production at Virginia Stage Company and absolutely loved it! Very moving and honest.

    I saw this production at Virginia Stage Company and absolutely loved it! Very moving and honest.

Development History

  • Type Reading, Organization James Madison University, Year 2015
  • Type Reading, Organization Florida International University, Year 2014
  • Type Reading, Organization Hampton University, Year 2013
  • Type Commission, Organization Theater J , Year 2012

Production History

  • Type Professional, Organization Virginia Stage Company, Year 2016
  • Type Professional, Organization Theater J, Year 2013