The droll humor carries the day in CRANBERRY, though George Sapio gives out the sad with the mirth. There are two playful (serio-whimsical?) roles for actors over sixty, and the tour of Malicia's dungeon hurts so good. I like Marley's business-like approach, that he's already interviewed several other Ds that day and his disdainful assessing - "Harlequinesque shack-and-smack," and that Malicia has grander designs than an BDSM session. The ending rocks. If ever a short play calls for a sequel . . . just saying.
The droll humor carries the day in CRANBERRY, though George Sapio gives out the sad with the mirth. There are two playful (serio-whimsical?) roles for actors over sixty, and the tour of Malicia's dungeon hurts so good. I like Marley's business-like approach, that he's already interviewed several other Ds that day and his disdainful assessing - "Harlequinesque shack-and-smack," and that Malicia has grander designs than an BDSM session. The ending rocks. If ever a short play calls for a sequel . . . just saying.