Arsonist

by Jacqueline Goldfinger

A father-daughter arson team burns their relationship to the ground, and then rise from the ashes. ARSONIST is lyrical, heartbreaking, and darkly funny play with music about the eternal bond between parent and child.

A father-daughter arson team burns their relationship to the ground, and then rise from the ashes. ARSONIST is lyrical, heartbreaking, and darkly funny play with music about the eternal bond between parent and child.

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Arsonist

Recommended by

  • Beth Kander: Arsonist

    This was the first play I ever read on NPX, years ago, and I still think about it. Highly recommend.

    This was the first play I ever read on NPX, years ago, and I still think about it. Highly recommend.

  • Tyler Joseph Rossi: Arsonist

    I've always been a big fan of music in plays. Goldfinger uses it to great effect, here. THE ARSONISTS is a well of inspiration for playwrights in terms of breaking the molds of style.

    The play has a lot to say about letting go... so much so that I find myself returning to it again and again.

    I've always been a big fan of music in plays. Goldfinger uses it to great effect, here. THE ARSONISTS is a well of inspiration for playwrights in terms of breaking the molds of style.

    The play has a lot to say about letting go... so much so that I find myself returning to it again and again.

  • Paul Donnelly: Arsonist

    The Arsonists offers vigorous, vital and wholly compelling storytelling, both by the characters and in the central narrative. M. faces the excruciatingly difficult task of letting go and there is real suspense in watching her reluctantly make the choices and take the actions that allow her to finally do so. There were so many moments in which I was shaken in a way that "moved" doesn't quite capture by scenes of harrowing emotional resonance enacted with clarity or described with elegant simplicity.

    The Arsonists offers vigorous, vital and wholly compelling storytelling, both by the characters and in the central narrative. M. faces the excruciatingly difficult task of letting go and there is real suspense in watching her reluctantly make the choices and take the actions that allow her to finally do so. There were so many moments in which I was shaken in a way that "moved" doesn't quite capture by scenes of harrowing emotional resonance enacted with clarity or described with elegant simplicity.

View all 16 recommendations

Character Information

This is a father-daughter play so it is very important that they feel like family.
  • H
    Character Age
    50+
  • M
    Character Age
    Late-20s+

Development History

  • Type Reading, Organization La MaMa International Writer's Showcase, Year 2016
  • Type Workshop, Organization Fellowship with Wendy MacLeod, Kenyon Playwrights Conference, Year 2015
  • Type Workshop, Organization Dakin Fellowship with Paula Vogel and Dan O'Brien, Sewanee Writers Conference, Year 2015
  • Type Reading, Organization Kennedy Center Page-to-Stage Festival, Year 2015
  • Type Reading, Organization NNPN New Play Showcase, Year 2015

Production History

  • Type Professional, Organization Relentless Theatre, Year 2021
  • Type Professional, Organization Duluth Playhouse, Year 2020
  • Type Professional, Organization DENIZEN Theatre, Year 2019
  • Type Professional, Organization The Court Theatre, New Zealand, Year 2019
  • Type Professional, Organization Benchmark Theatre, Year 2018
  • Type Professional, Organization Palaver Tree Theatre, Year 2018
  • Type Professional, Organization Perseverance Theatre, Year 2018
  • Type Professional, Organization Thrown Stone Theatre Company, Year 2018
  • Type Professional, Organization Azuka Theatre, Year 2017
  • Type University, Organization Washington College, Year 2017

Awards

  • Leah Ryan Prize
    Runner Up
    2016