AT THE DAKOTA

FULL-LENGTH PLAY (1 HOUR, 35 MINUTES). In 1999, when a closeted married gay man shows up at New York’s infamous Dakota Apartments for a sex hook-up with a virile bodybuilder he met online, he is shocked to discover that the man is actually a 71-year-old recluse. Eager to see the inside of this historic building, he hides his disappointment and lets his host regale him with reminiscences of life among the Dakota...

FULL-LENGTH PLAY (1 HOUR, 35 MINUTES). In 1999, when a closeted married gay man shows up at New York’s infamous Dakota Apartments for a sex hook-up with a virile bodybuilder he met online, he is shocked to discover that the man is actually a 71-year-old recluse. Eager to see the inside of this historic building, he hides his disappointment and lets his host regale him with reminiscences of life among the Dakota’s glitterati. When their encounter turns ugly, a woman arrives and demands that the whole story be re-told differently. As alternate versions of the story battle, the play exposes the price people pay for living lives in denial and explores possibilities for inter-generational relationships.

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AT THE DAKOTA

Recommended by

  • Donald Loftus: AT THE DAKOTA

    AT THE DAKOTA by William Ivor Fowkes is a poignant and sharply written two-hander that blends wit, vulnerability, and social insight. Set within the iconic New York building, it explores loneliness, identity, and connection with emotional honesty and surprising humor. The evolving relationship at its center is both compelling and deeply human, making this a moving and resonant theatrical experience.

    AT THE DAKOTA by William Ivor Fowkes is a poignant and sharply written two-hander that blends wit, vulnerability, and social insight. Set within the iconic New York building, it explores loneliness, identity, and connection with emotional honesty and surprising humor. The evolving relationship at its center is both compelling and deeply human, making this a moving and resonant theatrical experience.

Character Information

  • Earl Mumford
    A retired architect. Distinguished and charming.
    Character Age
    Early 70s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Mark Manning
    An accountant. Cocky and suspicious.
    Character Age
    Early 40s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male
  • Marjorie
    Gracious, but cold and controlling. (In scene 6 – warmer and more sympathetic)
    Character Age
    60s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Elizabeth Mumford Allen
    Smart and accomplished, but insecure and defensive.
    Character Age
    30s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Female
  • Gary
    Sexy, romantic, and a bit naïve.
    Character Age
    Mid 20s
    Character Race/Ethnic Identity
    Any
    Character Gender Identity
    Male

Development History

  • Type Reading, Organization William Inge Theater Festival, Independence, KS - a reading of an excerpt ("AN ACCIDENT IN THE PARK"), Year 2017
  • Type Reading, Organization Pittsburgh New Works Festival, Original Play Readings, Carnegie, PA - a reading of an excerpt ("AN ACCIDENT IN THE PARK"), Year 2017

Production History

  • Type Workshop, Organization Black Box Festival, Gallery Players, Brooklyn, NY - production of an excerpt ("AN ACCIDENT IN THE PARK"), Year 2016
  • Type Workshop, Organization Downtown Urban Theater Festival, Cherry Lane Theatre--production of an excerpt ("THE DAKOTA")--winner of BEST SHORT PLAY AWARD, Year 2005
  • Type Workshop, Organization Octoberfest, Ensemble Studio Theatre, New York--production of an excerpt ("THE DAKOTA"), Year 2005

Awards

  • 16th Annual New Voice Play Festival -- award for an excerpt ("AN ACCIDENT IN THE PARK")
    The Old Opera House Theatre Company, Charles Town, WV
    Honorable Mention
    2016
  • Best Short Play Award for an excerpt ("THE DAKOTA")
    Downtown Urban Theater Festival
    Winner
    2005