A pitch black dark comedy about healing and connection. I especially love the scenes between Tess and her Dad. So well written and hilarious.

The tension between Tess and Digby was thick. The Dad was cringe funny. Funny and fascinating rhythm/line structures. Pointed in its ridiculousness. So, like, no bacon?

I loved reading this expanded universe from the world of "This Car Trip Suckss!" With just four vividly-drawn characters, Weingarten executes a fully fleshed-out exploration of familial relationships, friendship, recovery and treatment facilities, and emerging sexuality AND the intersection of those things with body and self-image and mental health. The world manages to be both super heightened and entertainingly theatrical, while also grounded in strong emotional truths. Weingarten's work is so identifiable by its hilarity, sharp satire, multi-dimensionality, and distinctly cadenced dialogue. I'd love to see this alive and onstage!