Bunbury

by Tom Jacobson

When he discovers he is only a fictitious character in The Importance of Being Earnest, Bunbury joins forces with Rosaline, Romeo’s never-seen obsession from Romeo and Juliet. Together, they win back their loves and change the world by changing classic literature.

When he discovers he is only a fictitious character in The Importance of Being Earnest, Bunbury joins forces with Rosaline, Romeo’s never-seen obsession from Romeo and Juliet. Together, they win back their loves and change the world by changing classic literature.

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Bunbury

Recommended by

  • The Road Theatre Company: Bunbury

    For audiences who truly enjoy theatre, Bunbury is both a love letter and a thrill ride. Literary characters who never appear (Bunbury, Rosaline) lead us on a wild journey through centuries of literature, not only drama (Chekhov, Williams) but also novels (Flaubert) and poetry (Poe). The highlight of Godot actually showing up is only exceeded by the profound effect on real life in an ending that brings both laughter and tears. This play is especially wonderful for theatre audiences steeped in the classics, but it's so funny and accessible that everyone loves it. Our production got fantastic...

    For audiences who truly enjoy theatre, Bunbury is both a love letter and a thrill ride. Literary characters who never appear (Bunbury, Rosaline) lead us on a wild journey through centuries of literature, not only drama (Chekhov, Williams) but also novels (Flaubert) and poetry (Poe). The highlight of Godot actually showing up is only exceeded by the profound effect on real life in an ending that brings both laughter and tears. This play is especially wonderful for theatre audiences steeped in the classics, but it's so funny and accessible that everyone loves it. Our production got fantastic reviews.

  • Laura Shamas: Bunbury

    I love BUNBURY by Tom Jacobson. The wit! The language! The deconstruction of literary characters! The deep meta-meditations on the meaning of fiction! And it's all so much fun. It's one of the shows that you can watch again and again, and get something new from it each time. It surprises you--and in doing so, it advocates for the true value of art in our 21st century world. We need BUNBURY: a time-traveling show with occasional iambic pentameter, a southern drawl or two, and the Man With the Lily. FIVE STARS!

    I love BUNBURY by Tom Jacobson. The wit! The language! The deconstruction of literary characters! The deep meta-meditations on the meaning of fiction! And it's all so much fun. It's one of the shows that you can watch again and again, and get something new from it each time. It surprises you--and in doing so, it advocates for the true value of art in our 21st century world. We need BUNBURY: a time-traveling show with occasional iambic pentameter, a southern drawl or two, and the Man With the Lily. FIVE STARS!

  • Kate Danley: Bunbury

    I had the pleasure of seeing this play in person. It is so charming and delightful! It both honors the original source materials while also spinning them into directions you never would see coming! Wilde's Bunbury and Shakespeare's Rosaline teaming up to change the course of literature? Yes please! Highly recommend!

    I had the pleasure of seeing this play in person. It is so charming and delightful! It both honors the original source materials while also spinning them into directions you never would see coming! Wilde's Bunbury and Shakespeare's Rosaline teaming up to change the course of literature? Yes please! Highly recommend!

Character Information

  • Bunbury
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Male
  • Rosaline
    also plays:
    GWENDOLEN FAIRFAX, 20s
    MASHA, 30s
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Female
  • Friar Lawrence
    also plays:
    LAWYER, 50s
    GEORGE, 46
    OLD ALGERNON, 96
    Character Age
    40+
    Character Race/Ethnic Identity
    Any Race (BIPOC preferred)
    Character Gender Identity
    Male
  • Jack
    also plays:
    Estragon, 20s
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race (BIPOC preferred)
    Character Gender Identity
    Male
  • Hartley
    also plays:
    Romeo, 20s
    Vladimir, 20s
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Male
  • Algernon
    also plays:
    Allan, 20s
    Jim, 20s
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Male
  • Lady Bracknell
    also plays:
    Olga, 30s
    Martha, 52
    Old Cecily, 94
    Character Age
    40+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Female
  • Cecily
    also plays:
    Blanche, late teens
    Juliet, mid teens
    Irena, 20s
    Character Age
    20+
    Character Race/Ethnic Identity
    Any Race
    Character Gender Identity
    Female

Production History

  • Type University, Organization Northwestern University, Year 2013
  • Type Professional, Organization Long Beach Playhouse, Year 2008
  • Type University, Organization Pomona College, Year 2008
  • Type University, Organization University of California, San Diego, Year 2008
  • Type Professional, Organization Diversionary Theatre, Year 2007
  • Type Professional, Organization LA Theatre Works, Year 2006
  • Type Professional, Organization The Road Theatre Company, Year 2005

Awards

  • Ovation Award
    LA STAGE Alliance
    Finalist
    2006
  • GLAAD Award
    GLAAD
    Finalist
    2006
  • Critic's Choice
    Los Angeles Times
    Winner
    2005
  • Garland Award
    Back Stage
    Winner
    2005
  • Ticketholder Award
    Travis Michael Holder (Critic)
    Winner
    2005