Rachel Lynett beautifully takes on the genre of play that Leah Nanako Winkler dubs the "white-people-by-the-water" family drama and brilliantly avoids the tropes/traps that make those plays fusty, self-pity festivals. Lynett explores family trauma, grief, and cycles of misogynistic violence with infinitely interesting and well-drawn characters. She does so in a way that illustrates exactly how toxic patriarchy destroys, but without showcasing or giving airtime to that patriarchal specter himself. Rather, Lynett's primary focus on Alison and the women in her family provides a sympathetic and...
Rachel Lynett beautifully takes on the genre of play that Leah Nanako Winkler dubs the "white-people-by-the-water" family drama and brilliantly avoids the tropes/traps that make those plays fusty, self-pity festivals. Lynett explores family trauma, grief, and cycles of misogynistic violence with infinitely interesting and well-drawn characters. She does so in a way that illustrates exactly how toxic patriarchy destroys, but without showcasing or giving airtime to that patriarchal specter himself. Rather, Lynett's primary focus on Alison and the women in her family provides a sympathetic and bittersweet POV while also illustrating just how these damaging cycles are perpetuated.