The “ambitious card” is a trick in which a card from the middle of a deck reappears at the top—an essential routine that student magicians learn and customize to make their own. Langley’s supernatural dramedy does precisely that, customizing the journey of a young illusionist determined to become the first female magician with an American TV special. But little does she know that her heritage of magic goes beyond illusion and straight into the paranormal. Epic in scope, Ambitious Card blurs lines of performance and examines female relationships while playing with anxiety, pride, and our true callings.

The spirit of a young artist is a fragile thing, a garden with the consistently looming questions of when is it growing, and when has it begun to bloom? Environment is key, and Langley's use of the concept of family is deftly poignant. Talia's journey from one home to another (some encouraging, the others enraging), to the creation, loss, and rescue of her own home is heartbreaking, inspiring, and altogether enchanting. The integration of social issues, like passive/aggressive sexism, is seamless, and naturally addressed throughout the dialogue. An artist's true talents always reveal when all seems lost. Then what?

Hannah's mix of spectacle and humor combined with her deft handling of social issues make this play as enjoyable as it is progressive. Its winning protagonist and unique world are characteristic Hannah Langley magic.