This play was taught in my college dramatic literature class, and HO-LY SHIT. I am astounded to see that it only has three reviews, because from the way it was presented to us, I had every reason to believe it was a part of the contemporary theatrical canon (which it should be!). Keyes creates a theatrical hellscape far away enough to be dystopian, but close enough to be fathomable. Not to mention the existence of queer and trans women in a way that does not turn us into spectacles, but instead, shows us as the resilient human beings we are.
This play was taught in my college dramatic literature class, and HO-LY SHIT. I am astounded to see that it only has three reviews, because from the way it was presented to us, I had every reason to believe it was a part of the contemporary theatrical canon (which it should be!). Keyes creates a theatrical hellscape far away enough to be dystopian, but close enough to be fathomable. Not to mention the existence of queer and trans women in a way that does not turn us into spectacles, but instead, shows us as the resilient human beings we are.
